Surrealism and PaintingMFA Pub., 2002 - 415 pagina's It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. |
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Pagina 94
... whole celibate machine ) , allow this illuminating gas to escape through a certain number of capillary tubes that are at the head of all the malic moulds ( each of these capillary tubes , in which the gas stretches , has the shape of a ...
... whole celibate machine ) , allow this illuminating gas to escape through a certain number of capillary tubes that are at the head of all the malic moulds ( each of these capillary tubes , in which the gas stretches , has the shape of a ...
Pagina 263
... whole resistance movement , sharing its high ideals , equally necessary and equally noble in its determination . It would seem that an absolutely pure and impervious tensile reflex impelled Miró , at this hour of extreme anguish which ...
... whole resistance movement , sharing its high ideals , equally necessary and equally noble in its determination . It would seem that an absolutely pure and impervious tensile reflex impelled Miró , at this hour of extreme anguish which ...
Pagina 324
... whole , cannot be deter- mined simply on the basis of the spontaneous liking one may acquire or fail to acquire for a particular work of art in this field . The whole question is to know if it is appropriate to finish once and for all ...
... whole , cannot be deter- mined simply on the basis of the spontaneous liking one may acquire or fail to acquire for a particular work of art in this field . The whole question is to know if it is appropriate to finish once and for all ...
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absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect attitude Bachelors beautiful become bird Braque Bride Stripped century Chirico colour considered Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Jean Joan Miró Kandinsky Lautréamont less light Marcel Duchamp Matisse Matta Max Ernst means mental mind movement mysterious nature never night objects Pablo Picasso painters Paris perfectly Photo Ségalat picture Pierre plastic poets possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture sense shadow simply surrealism Surrealism and Painting surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy