Landscape Painting: Ma Yuan to Picasso

actual artist background beautiful became become blue brush canvas certain Cézanne chapter Chinese classical colour composition Constable course courtesy critics curious dark deal definite detail direct drawing Dutch early effect English entirely exhibited experience fact figures followers French friends gave give idea important Impressionists individual influence intense interesting Italy kind knife land landscape art landscape artists landscape painting leave light lived look Manet masters medium method mind mixed Monet movement Nature never observation original outlook painters palette Paris Pissarro PLATE pure Renoir romantic round rules scene seems seen sense shapes sincere sketches sort space started strokes style technique things thought to-day tone trees Turner values water-colour whole wonderful young