Gertrude Stein and the Essence of what Happens
Vanderbilt University Press, 2005 - 258 pagina's
In this provocative study, Dana Cairns Watson traces Gertrude Stein's growing fascination with the cognitive and political ramifications of conversation and how that interest influenced her writing over the course of her career. No book in recent decades has illuminated so many of Stein's works so extensively--from the early fiction of The Making of Americans to the poetry of Tender Buttons to her opera libretto The Mother of Us All.
Seeking to sustain Stein's lively, pleasant, populist spirit, Watson shows how the writer's playful entanglement of sight and sound--of silent reading and social speaking--reveals the crucial ambiguity by which reading and conversation build communities of meaning, and thus form not only personal relationships but also our very selves and the larger political structures we inhabit. Stein reminds us that the residual properties of words and the implications behind the give-and-take of ordinary conversation offer alternatives to linear structures of social order, alternatives especially precious in times of political oppression. For example, her novels Mrs. Reynolds and Brewsie and Willie, both written in embattled Vichy France, contemplate the speech patterns of totalitarian leaders and the ways in which everyday discourse might capitulate to--or resist--such verbal tyranny.
Like recent theorists, Stein recognized the repressiveness of conventional order--carried in language and thus in thought and social organization--but as Cairns Watson persuasively shows, she also insisted that the free will of individuals can persist in language and enable change. In the play of literary aesthetics, Stein saw a liberating force.
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William James and Tender Buttons
Recognizing the Real in a Collage of Words and Phrases
In the Present with the Past
Talking Boundaries into Thresholds in Ida
A queer state of living or Resistance through
Getting Together and Thinking in Brewsie and Willie
Stein aint so phony as she sounds