Gertrude Stein and the Essence of what Happens

Vanderbilt University Press, 2005 - 258 pagina's
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In this provocative study, Dana Cairns Watson traces Gertrude Stein's growing fascination with the cognitive and political ramifications of conversation and how that interest influenced her writing over the course of her career. No book in recent decades has illuminated so many of Stein's works so extensively--from the early fiction of The Making of Americans to the poetry of Tender Buttons to her opera libretto The Mother of Us All.

Seeking to sustain Stein's lively, pleasant, populist spirit, Watson shows how the writer's playful entanglement of sight and sound--of silent reading and social speaking--reveals the crucial ambiguity by which reading and conversation build communities of meaning, and thus form not only personal relationships but also our very selves and the larger political structures we inhabit. Stein reminds us that the residual properties of words and the implications behind the give-and-take of ordinary conversation offer alternatives to linear structures of social order, alternatives especially precious in times of political oppression. For example, her novels Mrs. Reynolds and Brewsie and Willie, both written in embattled Vichy France, contemplate the speech patterns of totalitarian leaders and the ways in which everyday discourse might capitulate to--or resist--such verbal tyranny.

Like recent theorists, Stein recognized the repressiveness of conventional order--carried in language and thus in thought and social organization--but as Cairns Watson persuasively shows, she also insisted that the free will of individuals can persist in language and enable change. In the play of literary aesthetics, Stein saw a liberating force.


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Talking and Listening in Steins Early Life and Works
William James and Tender Buttons
Conversational Relations in Geography and Plays
In the Present with the Past
Talking Boundaries into Thresholds in Ida
Conversation Politics
A queer state of living or Resistance through
Getting Together and Thinking in Brewsie and Willie
YesandNo Jobmen
Stein aint so phony as she sounds
Real Ideas
Sublime Amalgamations
News Articles Relevant to Steins 19341935 Lecture Tour

Overige edities - Alles bekijken

Veelvoorkomende woorden en zinsdelen

Over de auteur (2005)

Dana Cairns Watson has taught American literature and English composition at Middlebury College, Santa Monica College, and the University of California, Los Angeles. She has written on Tim O'Brien, Barbara Kingsolver, Paule Marshall, and Alice Munro.

Bibliografische gegevens