Lectures on the History and Principles of Painting |
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action admiration adopted afford agreeable Angelo appear application arrangement art of painting artist attained attention beauty become called cause character Chiaro-oscuro church colour combinations composition conducted consider consideration contrasts convey cultivation dark desire direct display effect elevated employed engaged examples excellence excite execution exhibited expression extended feeling figures genius give given grace hand human ideas illustration imagination imitation important impress improvement influence interest invention Italy knowledge labours LECTURE less light manner masters materials means ment mind mode nature never object observer obtained original painter perfect period pleasure portion possession practice present principles produce qualities Raffaelle refined regard regulated relates rendered seen selection sense sentiment shade style taste thought tion Titian tone true truth union varied variety Venetian school whilst whole