An Essay on the Genius and Writings of Pope, Volume 1Gregg, 1969 - 4 pagina's |
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Pagina 111
... Racine * . Quinetiam , prius effigiem formare , SOLUTIS , Totiufque operis fimulacrum fingere , verbis , Proderit ; atque omnes ex ordine nectere partes , Et fcriem rerum , et certos fibi ponere fines , Per quos tuta regens veftigia ...
... Racine * . Quinetiam , prius effigiem formare , SOLUTIS , Totiufque operis fimulacrum fingere , verbis , Proderit ; atque omnes ex ordine nectere partes , Et fcriem rerum , et certos fibi ponere fines , Per quos tuta regens veftigia ...
Pagina 165
... Racine had Corneille , II . Corneille found the French stage in a barbarous state , and advanced it to great Perfection ; Racine has not fup- ported it in the perfection in which he found it . III . The characters of Corneille are true ...
... Racine had Corneille , II . Corneille found the French stage in a barbarous state , and advanced it to great Perfection ; Racine has not fup- ported it in the perfection in which he found it . III . The characters of Corneille are true ...
Pagina 166
... Racine is fome- times to be found in Corneille : The Grand and Sublime of Corneille is never to be found in Racine . VIII . Racine has painted only the French and the prefent age , even when he designed to paint another age , and other ...
... Racine is fome- times to be found in Corneille : The Grand and Sublime of Corneille is never to be found in Racine . VIII . Racine has painted only the French and the prefent age , even when he designed to paint another age , and other ...
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An Essay on the Genius and Writings of Pope, Vol. 1 of 2 (Classic Reprint) Joseph Warton Geen voorbeeld beschikbaar - 2018 |
Veelvoorkomende woorden en zinsdelen
Abelard Addiſon Æneid alfo almoſt alſo ancient beautiful becauſe beſt Boileau Cant character Chaucer circumſtances cloſely compofition Corneille defcribed defign deſcription Dryden Eclogue Effay elegant Eloifa epic poetry Epift Euripides excellent expreffed exquifite faid fame fatire fays fecond feems fentiments fhall firſt folemn fome fpecies fpirit ftill ftrokes ftrong fubject fublime fuch fufficiently furely genius Georgics greateſt himſelf Homer Iliad images imagination inferted inftance itſelf juft juſt laft laſt Loft Milton moft moſt mufic muſt nature numbers o'er obfervations occafion Ovid paffage paffion perfon Petrarch piece Pindar pleaſed pleaſure poefy poem poet poetical poetry POPE praiſe preſent profe publiſhed Quintilian Racine racter raiſe reaſon repreſented ſay ſcene ſeems ſeveral ſhall ſhe ſhould ſome Sophocles ſpeak ſpecies ſpeech ſtanza ſtate ſtory ſtriking ſuch taſte thefe themſelves Theocritus theſe thofe thoſe tion tragedy tranflated uſed verfes verſe Virgil Voltaire whofe whoſe writer