'Tis distance lends enchantment to the view, Or, if she hold an image to the view, With thee, sweet, Hope, resides the heavenly light, Auspicious Hope! in thy sweet garden grow And sweep the furrow'd lines of anxious thought away! 'VE VICTIS.' Он, bloodiest picture in the book of time! ODE TO WINTER. WHEN first the fiery-mantled Sun His children four the Seasons flew :- The young Spring smiled with angel-grace; Rush'd into her sire's embrace Id. Her bright-hair'd sire, who bade her keep For ever nearest to his smiles, On Calpe's olive-shaded steep Or India's citron-cover'd isles. More remote, and buxom-brown, The Queen of vintage bow'd before his throne; A rich pomegranate gemm'd her crown, A ripe sheaf bound her zone. But howling Winter fled afar And trampling on her faded form; Till Light's returning Lord assume The shaft that drives him to his northern field, Of power to pierce his raven plume And crystal-cover'd shield. O sire of storms! whose savage ear Fast descending as thou art, Say, hath mortal invocation Spells to touch thy stony heart : Then, sullen Winter! hear my prayer, Nor chill the wanderer's bosom bare Thy horror-breathing agues cease to lend, Of Innocence descend. But chiefly spare, O king of clouds, The sailor on his airy shrouds, When wrecks and beacons strew the steep And spectres walk along the deep, Pour on yonder tented shores, O winds of Winter! list ye there Or start, ye demons of the midnight air, At shrieks and thunders louder than your own? Alas! e'en your unhallow'd breath May spare the victim fallen low; But Man will ask no truce to death, No bounds to human woe. (Germany, December 1800.) WORDSWORTH. 1770-1850. PRINCIPAL WORKS :-The Evening Walk and Descriptive Sketches, 1793. -Lyrical Ballads, 1798, a production in which he joined with Coleridge, 'designed by him as an experiment how far a simpler kind of poetry than that in use would afford permanent interest to readers. The humblest subjects, he contended, were fit for poetry, and the language should be that "really used by men." The fine fabric of poetic diction which generations of the tuneful tribe had been laboriously rearing, he proposed to destroy altogether. The language of humble and rustic life, arising out of repeated experience and regular feelings, he considered to be a more permanent, a far more philosophical language than that which is frequently substituted for it by the poets. The attempt of Wordsworth was either totally neglected or assailed with ridicule. The transition from the refined and sentimental school of verse, with select and polished diction, to such themes as "The Idiot Boy," and a style of composition disfigured by colloquial plainness, and by the mixture of ludicrous images and associations with passages of tenderness and pathos, was too violent to escape ridicule or ensure general success.'Two more volumes were published in 1807.-The Excursion, 1814, his most considerable work. In this poem, though with considerable modifications, he repeated his earlier theories as to the suitableness of everyday life and language to the character of poetry.-The White Doe of Rylstone, Peter Bell, Yarrow Revisited, &c., are among the most pretentious of his remaining productions. Unfortunately for immediate success, the more brilliant genius of the new school- of Scott and Byron, in their differing styles, had almost exclusively preoccupied the public admiration and patronage; and the new and somewhat prosaic style of his metaphysical poetry was little adapted then, or is indeed even now, to attract any but a very limited number of readers. In six years not more than 500 copies of The Excursion were called for. The less brilliant, but perhaps more substantial, merits of Wordsworth in course of time gradually gained a wider circle of admirers and disciples. Without detracting from the general value of The Excursion, his miscellanous and shorter pieces, particularly his Poems of the Fancy, and Poems of the Imagination, may justly be considered his happiest |