Landscape and MemoryA.A. Knopf, 1995 - 652 pagina's "Opening a radically new and original path into history, Simon Schama explores the scenery of our Western culture, both real landscapes and landscapes of the mind that have given us our sense of homeland, the dark woods of our imagined origins. What unfolds is a series of compelling journeys through space and time: from the ancient woodland of Poland, a symbol over the centuries of national endurance, through the forest birthplace of the German psyche, to the Big Trees of Yosemite that gave a new nation its holy past. Through all of history, from pre-classical antiquity to the Third Reich and beyond, Schama uncovers the myths and memories that have stamped themselves on our most basic social instincts and institutions: territorial identity, the wild and domestic, mortality and immortality."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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Pagina 120
... Anselm Kiefer . iv Waldsterben By the time Anselm Kiefer moved there in 1971 not much was left of the Her- cynian forest . He had come to live in the Odenwald , the handsome country between the Main and the Neckar that Sebastian Münster ...
... Anselm Kiefer . iv Waldsterben By the time Anselm Kiefer moved there in 1971 not much was left of the Her- cynian forest . He had come to live in the Odenwald , the handsome country between the Main and the Neckar that Sebastian Münster ...
Pagina 122
... Anselm ; a herald of resurrection ; an evergreen in the beechwood . But in its masculine form , der Kiefer becomes something else , the " maxilla " : the jawbone instrument of speech . Kiefer was casting himself not just as the ...
... Anselm ; a herald of resurrection ; an evergreen in the beechwood . But in its masculine form , der Kiefer becomes something else , the " maxilla " : the jawbone instrument of speech . Kiefer was casting himself not just as the ...
Pagina 127
... Anselm Kiefer . In 1974 he drew on the national reverence for both wood carving and woodcut engraving to produce a series of prints in which " Germany's facial types ” were seen barely emerging from the grain of timber . And at the same ...
... Anselm Kiefer . In 1974 he drew on the national reverence for both wood carving and woodcut engraving to produce a series of prints in which " Germany's facial types ” were seen barely emerging from the grain of timber . And at the same ...
Inhoudsopgave
The Detour | 23 |
CHAPTER ONE In the Realm of the Lithuanian Bison | 37 |
ii | 43 |
Copyright | |
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Aby Warburg Alpine Alps American ancient Anselm Kiefer arcadia architecture artist Barlow became beneath Bernini Białowieża bison Borglum British Caspar David Friedrich century Christian church classical climb color illus course Cozens cross cult culture death Denecourt Dinocrates Egypt Egyptian emblem Empire England English engraving essay famous father fluvial forest France French garden German Gothic Gray grotto groves Gutzon Borglum hills holy hunting hydraulic Ibid imagined imperial J. M. W. Turner John John Robert Cozens king land landscape liberty Lithuanian living London memory Mont Blanc Mount Mount Rushmore mountain myth nature Nile obelisk original Osiris pagan painting Paris park Piazza Navona poet Polish Ralegh Ramond Renaissance rock Roman Rome royal Rushmore sacred scenery seemed stone sublime symbols Tacitus temple Thames Thomas Thomas Cole thought timber tion tradition travellers tree turned village Warburg wild wilderness William woodland woods Yosemite