Landscape and MemoryA.A. Knopf, 1995 - 652 pagina's "Opening a radically new and original path into history, Simon Schama explores the scenery of our Western culture, both real landscapes and landscapes of the mind that have given us our sense of homeland, the dark woods of our imagined origins. What unfolds is a series of compelling journeys through space and time: from the ancient woodland of Poland, a symbol over the centuries of national endurance, through the forest birthplace of the German psyche, to the Big Trees of Yosemite that gave a new nation its holy past. Through all of history, from pre-classical antiquity to the Third Reich and beyond, Schama uncovers the myths and memories that have stamped themselves on our most basic social instincts and institutions: territorial identity, the wild and domestic, mortality and immortality."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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Pagina 122
... Kiefer , the " pine tree . " One of his first Odenwald paintings has his own head inserted at the top of a fir ... Kiefer becomes something else , the " maxilla " : the jawbone instrument of speech . Kiefer was casting himself not just ...
... Kiefer , the " pine tree . " One of his first Odenwald paintings has his own head inserted at the top of a fir ... Kiefer becomes something else , the " maxilla " : the jawbone instrument of speech . Kiefer was casting himself not just ...
Pagina 124
... Kiefer resist this invitation to rediscover the organic materiality of Ger- man art ? Like his guru ( in this case , not too extravagant a term ) , Kiefer saw himself in revolt against what he took to be the bourgeois pabulum of com ...
... Kiefer resist this invitation to rediscover the organic materiality of Ger- man art ? Like his guru ( in this case , not too extravagant a term ) , Kiefer saw himself in revolt against what he took to be the bourgeois pabulum of com ...
Pagina 129
... Kiefer used the print - form most associated with native Germanic identity , the woodcut ( which had been self - consciously re - created by expressionists such as Kirchner and Nolde ) , 107 to create his pantheon . Unlike other ...
... Kiefer used the print - form most associated with native Germanic identity , the woodcut ( which had been self - consciously re - created by expressionists such as Kirchner and Nolde ) , 107 to create his pantheon . Unlike other ...
Inhoudsopgave
The Detour | 23 |
CHAPTER ONE In the Realm of the Lithuanian Bison | 37 |
ii | 43 |
Copyright | |
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Aby Warburg Alpine Alps American ancient Anselm Kiefer arcadia architecture artist Barlow became beneath Bernini Białowieża bison Borglum British Caspar David Friedrich century Christian church classical climb color illus course Cozens cross cult culture death Denecourt Dinocrates Egypt Egyptian emblem Empire England English engraving essay famous father fluvial forest France French garden German Gothic Gray grotto groves Gutzon Borglum hills holy hunting hydraulic Ibid imagined imperial J. M. W. Turner John John Robert Cozens king land landscape liberty Lithuanian living London memory Mont Blanc Mount Mount Rushmore mountain myth nature Nile obelisk original Osiris pagan painting Paris park Piazza Navona poet Polish Ralegh Ramond Renaissance rock Roman Rome royal Rushmore sacred scenery seemed stone sublime symbols Tacitus temple Thames Thomas Thomas Cole thought timber tion tradition travellers tree turned village Warburg wild wilderness William woodland woods Yosemite