Christopher MarloweRoutledge, 15 jul 2014 - 286 pagina's Christopher Marlowe has provoked some of the most radical criticism of recent years. There is an elective affinity, it seems, between this pre-modern dramatist and the post-modern critics whose best work has been inspired by his plays. The reason suggested by this collection of essays is that Marlowe shares the post-modern preoccupation with the language of power - and the power of language itself. As Richard Wilson shows in his introduction, it is no accident that the founding essays of New Historicism were on Marlowe; nor that current Queer Theorists focus so much on his images of gender and homosexuality. Marlowe staged both the birth of the modern author and the origin of modern sexual desire, and it is this unique conjunction that makes his drama a key to contemporary debates about the state and the self: from pornography to gays in the military. Gay Studies, Cultural Materialism, New Historicism and Reader Response Criticism are all represented in this selection, which the introduction places in the light not only of theorists like Althusser, Bataille and Bakhtin, but also of artists and writers such as Jean Genet and Robert Mapplethorpe. Many of the essays take off from Marlowe's extreme dramatisations of arson, cruelty and aggression, suggesting why it is that the thinker who has been most convincingly applied to his theatre is the philosopher of punishment and pain, Michel Foucault. Others explore the exclusiveness of this all-male universe, and reveal why it remains so offensive and impenetrable to feminism. For what they all make disturbingly clear is Marlowe's violent, untamed difference from the clichés and correctness of normative society. |
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Pagina 1
... murder us' (Mass., 1.7.8). It was Ramus, Michel Foucault explains, who codified the ancient - and modern - idea that 'Language is not what it is because it has meaning', but because 'words group syllables together',2 but now reality ...
... murder us' (Mass., 1.7.8). It was Ramus, Michel Foucault explains, who codified the ancient - and modern - idea that 'Language is not what it is because it has meaning', but because 'words group syllables together',2 but now reality ...
Pagina 2
... murder of the bookman is that it occurs at the hands of a character whose thuggish cruelty, energy and charisma are so clearly meant to be irresistible. It is in this sense that the assassination of Ramus is a paradigm of the problem ...
... murder of the bookman is that it occurs at the hands of a character whose thuggish cruelty, energy and charisma are so clearly meant to be irresistible. It is in this sense that the assassination of Ramus is a paradigm of the problem ...
Pagina 3
... murder of Ramus is followed by the butchery of schoolmasters and all other 'Protestants with books' (Mass., 2.1; 2.3). When Shakespeare introduces the enemies of academia, they are repulsive louts, such as Jack Cade; but Marlowe makes ...
... murder of Ramus is followed by the butchery of schoolmasters and all other 'Protestants with books' (Mass., 2.1; 2.3). When Shakespeare introduces the enemies of academia, they are repulsive louts, such as Jack Cade; but Marlowe makes ...
Pagina 16
... murder by his father of the 'mincing minion', Calyphas, is distanced, on this view, by the fact that his muscle-bound killer, Tamburlaine, is the homoerotic pin-up of the play; while Edward II seems designed to 'transpose stereotypes of ...
... murder by his father of the 'mincing minion', Calyphas, is distanced, on this view, by the fact that his muscle-bound killer, Tamburlaine, is the homoerotic pin-up of the play; while Edward II seems designed to 'transpose stereotypes of ...
Pagina 19
... murder-scene was no tavern, but the office where the fraud was fixed. Marlowe died, according to this fresh source material, a pawn in the Great Game of empire that was so lucrative to Bankside spectators who were also speculators in ...
... murder-scene was no tavern, but the office where the fraud was fixed. Marlowe died, according to this fresh source material, a pawn in the Great Game of empire that was so lucrative to Bankside spectators who were also speculators in ...
Inhoudsopgave
1 | |
Scribe Script and Circumscription in Marlowes Plays | 30 |
The Case of Christopher Marlowe | 54 |
Gender Relations in Marlowe | 62 |
Dido Queen of Carthage | 83 |
Marlowe Rankins and Theatrical Images | 95 |
7 Legitimating Tamburlaine | 111 |
Tamburlaine the Great and Ivan the Terrible | 120 |
11 King Edwards Body | 174 |
12 Marlowe and the Observation of Men | 191 |
Marlowes Massacre at Paris | 215 |
Subversion through Transgression | 235 |
Doctor Faustus | 246 |
Notes on Authors | 266 |
Further Reading | 268 |
Index | 271 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
Aeneas Aeneas's alien antitheatrical audience Baines Barabas Barabas's boys Bruno Cambridge Catholic Christ Christian Christopher Marlowe claim contemporary critics culture death desire Dido difference discourse divine Doctor Faustus domination Dr Faustus drama dramatist Edward Edward II Elizabethan Elizabethan Theatre England English essay Faustus's Ferneze figure Foucault Ganymede Gaveston gender Goldberg Guise Guise's hell Henry Henry's hero heterosexuality homosexuality Horsey identity ideology Ithamore Jew of Malta Jonathan Jupiter king language Literary London male Marlowe's Marlowe's play Marx Marx's masculine Massacre at Paris Mephostophilis Michel Foucault misogyny modern monstrous moral Mortimer murder Muscovy Muscovy Company Oxford pamphlet plague playwright poetry political Protestant Queen Rankins Rankins's reading relations relationship religion religious Renaissance rhetoric scene sexual Shakespeare Shepherd Simon Shepherd social society sodomy soul stage Stephen Greenblatt stereotype suggests Tamburlaine theatre theatrical thou transgression Turks University Press violence Walsingham woman words writing Zenocrate