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With looks unaltered by these scenes of woe,
With speed that, entering, speaks his haste to go;
He bids the gazing throng around him fly,
And carries fate and physic in his eye;
A potent quack, long versed in human ills,
Who first insults the victim whom he kills;
Whose murderous hand a drowsy bench protect,
And whose most tender mercy is neglect.

Paid by the parish for attendance here,
He wears contempt upon his sapient sneer;
In haste he seeks the bed where misery lies,
Impatience marked in his averted eyes;
And, some habitual queries hurried o'er,
Without reply, he rushes on the door;
His drooping patient, long inured to pain,
And long unheeded, knows remonstrance vain ;
He ceases now the feeble help to crave
Of man; and silent sinks into the grave.

Isaac Ashford, a Noble Peasant.

From the Parish Register.

Next to these ladies, but in nought allied,
A noble peasant, Isaac Ashford, died.
Noble he was, contemning all things mean,
His truth unquestioned and his soul serene :
Of no man's presence Isaac felt afraid;
At no man's question Isaac looked dismayed:
Shame knew him not, he dreaded no disgrace;
Truth, simple truth, was written in his face ;
Yet while the serious thought his soul approved,
Cheerful he seemed, and gentleness he loved;
To bliss domestic he his heart resigned,
And with the firmest, had the fondest mind :
Were others joyful, he looked smiling on,
And gave allowance where he needed none;
Good he refused with future ill to buy,
Nor knew a joy that caused reflection's sigh;
A friend to virtue, his unclouded breast
No envy stung, no jealousy distressed-

Bane of the poor! it wounds their weaker mind
To miss one favour which their neighbours find—
Yet far was he from stoic pride removed;
He felt humanely, and he warmly loved :
I marked his action when his infant died,
And his old neighbour for offence was tried;
The still tears, stealing down that furrowed cheek,
Spoke pity plainer than the tongue can speak.
If pride were his, 'twas not their vulgar pride,
Who, in their base contempt, the great deride;
Nor pride in learning, though my clerk agreed,
If fate should call him, Ashford might succeed;
Nor pride in rustic skill, although we knew
None his superior, and his equals few :
But if that spirit in his soul had place,
It was the jealous pride that shuns disgrace;

A pride in honest fame, by virtue gained,

In sturdy boys to virtuous labours trained;
Pride in the power that guards his country's coast,
And all that Englishmen enjoy and boast;
Pride in a life that slander's tongue defied,
In fact, a noble passion, misnamed pride.

He had no party's rage, no sect'ry's whim;
Christian and countryman was all with him;
True to his church he came; no Sunday-shower
Kept him at home in that important hour;
Nor his firm feet could one persuading sect
By the strong glare of their new light direct;
'On hope, in mine own sober light, I gaze,
But should be blind and lose it in your blaze.'
In times severe, when many a sturdy swain
Felt it his pride, his comfort to complain,
Isaac their wants would soothe, his own would hide,
And feel in that his comfort and his pride.

At length he found, when seventy years were run, His strength departed and his labour done;

When, save his honest fame, he kept no more;
But lost his wife and saw his children poor;
'Twas then a spark of-say not discontent-
Struck on his mind, and thus he gave it vent :
'Kind are your laws-'tis not to be denied-
That in yon house for ruined age provide,
And they are just; when young, we give you all,
And then for comforts in our weakness call.
Why then this proud reluctance to be fed,
To join your poor and eat the parish bread?
But yet I linger, loath with him to feed
Who gains his plenty by the sons of need:
He who, by contract, all your paupers took,
And gauges stomachs with an anxious look:
On some old master I could well depend;
See him with joy, and thank him as a friend;
But ill on him who doles the day's supply,
And counts our chances who at night may die :
Yet help me, Heaven! and let me not complain
Of what befalls me, but the fate sustain.'

Such were his thoughts, and so resigned he grew ;
Daily he placed the workhouse in his view!
But came not there, for sudden was his fate,
He dropt expiring at his cottage-gate.

I feel his absence in the hours of prayer, And view his seat, and sigh for Isaac there; I see no more those white locks thinly spread Round the bald polish of that honoured head; No more that awful glance on playful wight Compelled to kneel and tremble at the sight; To fold his fingers all in dread the while, Till Mister Ashford softened to a smile; No more that meek and suppliant look in prayer, Nor the pure faith-to give it force-are there. But he is blest, and I lament no more, A wise good man contented to be poor.

Phobe Dawson.-From the 'Parish Register.'

Two summers since, I saw at Lammas fair,
The sweetest flower that ever blossomed there;
When Phoebe Dawson gaily crossed the green,
In haste to see, and happy to be seen;
Her air, her manners, all who saw, admired,
Courteous though coy, and gentle though retired;
The joy of youth and health her eyes displayed,
And ease of heart her every look conveyed;
A native skill her simple robes expressed,
As with untutored elegance she dressed;
The lads around admired so fair a sight,
And Phoebe felt, and felt she gave, delight.
Admirers soon of every age she gained,
Her beauty won them and her worth retained;
Envy itself could no contempt display,

They wished her well, whom yet they wished away.
Correct in thought, she judged a servant's place
Preserved a rustic beauty from disgrace;

But yet on Sunday-eve, in freedom's hour,
With secret joy she felt that beauty's power;
When some proud bliss upon the heart would steal,
That, poor or rich, a beauty still must feel.

At length, the youth ordained to move her breast,
Before the swains with bolder spirit pressed;
With looks less timid made his passion known,
And pleased by manners, most unlike her own;
Loud though in love, and confident though young;
Fierce in his air, and voluble of tongue;

By trade a tailor, though, in scorn of trade,
He served the squire, and brushed the coat he made;
Yet now, would Phoebe her consent afford,
Her slave alone, again he'd mount the board;
With her should years of growing love be spent,
And growing wealth: she sighed and looked consent.
Now, through the lane, up hill, and
the

green

Seen by but few, and blushing to be seen

cross

Dejected, thoughtful, anxious, and afraid-
Led by the lover, walked the silent maid:
Slow through the meadows roved they many a mile,
Toyed by each bank and trifled at each stile;
Where, as he painted every blissful view,
And highly coloured what he strongly drew,
The pensive damsel, prone to tender fears,
Dimmed the false prospect with prophetic tears:
Thus passed the allotted hours, till, lingering late,
The lover loitered at the master's gate;

There he pronounced adieu! and yet would stay,
Till chidden-soothed-entreated-forced away!
He would of coldness, though indulged, complain,
And oft retire and oft return again;
When, if his teasing vexed her gentle mind,
The grief assumed compelled her to be kind!
For he would proof of plighted kindness crave,
That she resented first, and then forgave,
And to his grief and penance yielded more
Than his presumption had required before:

Ah! fly temptation, youth; refrain ! refrain !
Each yielding maid and each presuming swain!
Lo! now with red rent cloak and bonnet black,
And torn green gown loose hanging at her back,
One who an infant in her arms sustains,

And seems in patience striving with her pains;
Pinched are her looks, as one who pines for bread,
Whose cares are growing and whose hopes are fled;
Pale her parched lips, her heavy eyes sunk low,
And tears unnoticed from their channels flow;
Serene her manner, till some sudden pain
Frets the meek soul, and then she's calm again...
But who this child of weakness, want, and care?
'Tis Phoebe Dawson, pride of Lammas fair ;
Who took her lover for his sparkling eyes,
Expressions warm, and love-inspiring lies:
Compassion first assailed her gentle heart
For all his suffering, all his bosom's smart :
'And then his prayers! they would a savage move,
And win the coldest of the sex to love :'
But ah! too soon his looks success declared,
Too late her loss the marriage-rite repaired;
The faithless flatterer then his vows forgot,
A captious tyrant or a noisy sot:

If present, railing till he saw her pained;
If absent, spending what their labours gained;
Till that fair form in want and sickness pined,
And hope and comfort fled that gentle mind.

Then fly temptation, youth; resist! refrain !
Nor let me preach for ever and in vain!

Dream of the Condemned Felon.-From The Borough.
Yes! e'en in sleep the impressions all remain,
He hears the sentence and he feels the chain;
He sees the judge and jury when he shakes,
And loudly cries, 'Not guilty,' and awakes:
Then chilling tremblings o'er his body creep,
Till worn-out nature is compelled to sleep.

Now comes the dream again: it shews each scene, With each small circumstance that comes betweenThe call to suffering, and the very deed

There crowds go with him, follow, and precede;
Some heartless shout, some pity, all condemn,
While he in fancied envy looks at them;
He seems the place for that sad act to see,
And dreams the very thirst which then will be ;
A priest attends-it seems the one he knew
In his best days, beneath whose care he grew.
At this his terrors take a sudden flight;
He sees his native village with delight;
The house, the chamber, where he once arrayed
His youthful person, where he knelt and prayed;
Then, too, the comforts he enjoyed at home,
The days of joy, the joys themselves, are come;
The hours of innocence, the timid look

Of his loved maid, when first her hand he took

And told his hope; her trembling joy appears,
Her forced reserve, and his retreating fears.
All now are present-'tis a moment's gleam
Of former sunshine-stay, delightful dream!
Let him within his pleasant garden walk,
Give him her arm, of blessings let them talk.

Yes! all are with him now, and all the while
Life's early prospects and his Fanny's smile;
Then come his sister and his village friend,
And he will now the sweetest moments spend
Life has to yield: no, never will he find
Again on earth such pleasure in his mind :
He goes through shrubby walks these friends among,
Love in their looks and honour on the tongue;
Nay, there's a charm beyond what nature shews,
The bloom is softer, and more sweetly glows;
Pierced by no crime, and urged by no desire
For more than true and honest hearts require,
They feel the calm delight, and thus proceed
Through the green lane, then linger in the mead,
Stray o'er the heath in all its purple bloom,
And pluck the blossom where the wild-bees hum;
Then through the broomy bound with ease they pass,
And press the sandy sheep-walk's slender grass,
Where dwarfish flowers among the gorse are spread,
And the lamb browses by the linnet's bed;
Then 'cross the bounding brook they make their way
O'er its rough bridge, and there behold the bay;
The ocean smiling to the fervid sun,

The waves that faintly fall, and slowly run,
The ships at distance, and the boats at hand;
And now they walk upon the sea-side sand,
Counting the number, and what kind they be,
Ships softly sinking in the sleepy sea;
Now arm in arm, now parted, they behold
The glittering waters on the shingles rolled :
The timid girls, half dreading their design,
Dip the small foot in the retarded brine,

And search for crimson weeds, which spreading flow,

Or lie like pictures on the sand below;
With all those bright red pebbles that the sun
Through the small waves so softly shines upon;
And those live lucid jellies which the eye
Delights to trace as they swim glittering by;
Pearl shells and rubied star-fish they admire,
And will arrange above the parlour fire.
Tokens of bliss! 'Oh, horrible! a wave
Roars as it rises-save me, Edward, save!'
She cries. Alas! the watchman on his way
Calls, and lets in-truth, terror, and the day!

Story of a Betrothed Pair in Humble Life.
From The Borough.

Yes, there are real mourners; I have seen
A fair sad girl, mild, suffering, and serene;
Attention through the day her duties claimed,
And to be useful as resigned she aimed;
Neatly she dressed, nor vainly seemed to expect
Pity for grief, or pardon for neglect ;
But when her wearied parents sank to sleep,
She sought her place to meditate and weep:
Then to her mind was all the past displayed,
That faithful memory brings to sorrow's aid;
For then she thought on one regretted youth,
Her tender trust, and his unquestioned truth;
In every place she wandered where they'd been,
And sadly sacred held the parting scene
Where last for sea he took his leave-that place
With double interest would she nightly trace;
For long the courtship was, and he would say
Each time he sailed : This once, and then the day;'
Yet prudence tarried, but when last he went,
He drew from pitying love a full consent.

Happy he sailed, and great the care she took
That he should softly sleep, and smartly look ;

White was his better linen, and his check
Was made more trim than any on the deck;
And every comfort men at sea can know,
Was hers to buy, to make, and to bestow;
For he to Greenland sailed, and much she told
How he should guard against the climate's cold,
Yet saw not danger, dangers he'd withstood,
Nor could she trace the fever in his blood.
His messmates smiled at flushings in his cheek,
And he, too, smiled, but seldom would he speak ;
For now he found the danger, felt the pain,
With grievous symptoms he could not explain.

He called his friend, and prefaced with a sigh
A lover's message: 'Thomas, I must die;
Would I could see my Sally, and could rest
My throbbing temples on her faithful breast,
And gazing go! if not, this trifle take,
And say, till death I wore it for her sake.

Yes, I must die-blow on, sweet breeze, blow on!
Give me one look before my life be gone;
Oh, give me that! and let me not despair-
One last fond look-and now repeat the prayer.'
He had his wish, and more. I will not paint
The lovers' meeting: she beheld him faint-
With tender fears she took a nearer view,
Her terrors doubling as her hopes withdrew;
He tried to smile, and half succeeding, said:
Yes, I must die '-and hope for ever fled.

Still long she nursed him; tender thoughts meantime
Were interchanged, and hopes and views sublime.
To her he came to die, and every day
She took some portion of the dread away;
With him she prayed, to him his Bible read,
Soothed the faint heart, and held the aching head;
She came with smiles the hour of pain to cheer,
Apart she sighed, alone she shed the tear;
Then, as if breaking from a cloud, she gave
Fresh light, and gilt the prospect of the grave.
One day he lighter seemed, and they forgot
The care, the dread, the anguish of their lot;
They spoke with cheerfulness, and seemed to think,
Yet said not so-'Perhaps he will not sink.'
A sudden brightness in his look appeared,
A sudden vigour in his voice was heard;
She had been reading in the Book of Prayer,
And led him forth, and placed him in his chair;
Lively he seemed, and spoke of all he knew,
The friendly many, and the favourite few;
Nor one that day did he to mind recall,
But she has treasured, and she loves them all.
When in her way she meets them, they appear
Peculiar people-death has made them dear.
He named his friend, but then his hand she pressed,
And fondly whispered: "Thou must go to rest.'
"I go,' he said, but as he spoke she found

His hand more cold, and fluttering was the sound;
Then gazed affrightened, but she caught a last,
A dying look of love, and all was past.

She placed a decent stone his grave above,
Neatly engraved, an offering of her love:
For that she wrought, for that forsook her bed,
Awake alike to duty and the dead.

She would have grieved had they presumed to spare
The least assistance-'twas her proper care.
Here will she come, and on the grave will sit,
Folding her arms, in long abstracted fit;
But if observer pass, will take her round,
And careless seem, for she would not be found;
Then go again, and thus her hour employ,
While visions please her, and while woes destroy.

An English Fen-Gipsies.
From Tales-Lover's Journey.
On either side

Is level fen, a prospect wild and wide,

With dikes on either hand by ocean's self supplied:

Far on the right the distant sea is seen,
And salt the springs that feed the marsh between :
Beneath an ancient bridge, the straitened flood
Rolls through its sloping banks of slimy mud;
Near it a sunken boat resists the tide,
That frets and hurries to the opposing side;
The rushes sharp that on the borders grow,
Bend their brown flowerets to the stream below,
Impure in all its course, in all its progress slow:
Here a grave Flora scarcely deigns to bloom,
Nor wears a rosy blush, nor sheds perfume;
The few dull flowers that o'er the place are spread,
Partake the nature of their fenny bed.

Here on its wiry stem, in rigid bloom,
Grows the salt lavender that lacks perfume;
Here the dwarf sallows creep, the septfoil harsh,
And the soft slimy mallow of the marsh;
Low on the ear the distant billows sound,
And just in view appears their stony bound;
Nor hedge nor tree conceals the glowing sun;
Birds, save a watery tribe, the district shun,
Nor chirp among the reeds where bitter waters run.
Again, the country was inclosed, a wide
And sandy road has banks on either side;
Where, lo! a hollow on the left appeared,
And there a gipsy tribe their tent had reared;
'Twas open spread to catch the morning sun,
And they had now their early meal begun,
When two brown boys just left their grassy seat,
The early traveller with their prayers to greet.
While yet Orlando held his pence in hand,
He saw their sister on her duty stand;
Some twelve years old, demure, affected, sly,
Prepared the force of early powers to try;
Sudden a look of languor he descries,
And well-feigned apprehension in her eyes;
Trained, but yet savage, in her speaking face
He marked the features of her vagrant race,
When a light laugh and roguish leer expressed
The vice implanted in her youthful breast.
Forth from the tent her elder brother came,
Who seemed offended, yet forbore to blame
The young designer, but could only trace
The looks of pity in the traveller's face.
Within, the father, who from fences nigh,
Had brought the fuel for the fire's supply,
Watched now the feeble blaze, and stood dejected by;
On ragged rug, just borrowed from the bed,
And by the hand of coarse indulgence fed,
In dirty patchwork negligently dressed,
Reclined the wife, an infant at her breast;
In her wild face some touch of grace remained,
Of vigour palsied, and of beauty stained;
Her bloodshot eyes on her unheeding mate
Were wrathful turned, and seemed her wants to state,
Cursing his tardy aid. Her mother there
With gipsy state engrossed the only chair;
Solemn and dull her look; with such she stands,
And reads the milkmaid's fortune in her hands,
Tracing the lines of life; assumed through years,
Each feature now the steady falsehood wears;
With hard and savage eye she views the food,
And grudging pinches their intruding brood.
Last in the group, the worn-out grandsire sits
Neglected, lost, and living but by fits;
Useless, despised, his worthless labours done,
And half protected by the vicious son,
Who half supports him, he with heavy glance
Views the young ruffians who around him dance,
And, by the sadness in his face, appears
To trace the progress of their future years;
Through what strange course of misery, vice, deceit,
Must wildly wander each unpractised cheat;
What shame and grief, what punishment and pain,
Sport of fierce passions, must each child sustain,
Ere they like him approach their latter end,
Without a hope, a comfort, or a friend!

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Gradual Approaches of Age.-From Tales of the Hall?

Six years had passed, and forty ere the six,
When time began to play his usual tricks;
The locks once comely in a virgin's sight,

Locks of pure brown, displayed the encroaching white;
The blood, once fervid, now to cool began,
And Time's strong pressure to subdue the man.

I rode or walked as I was wont before,

But now the bounding spirit was no more;
A moderate pace would now my body heat;
A walk of moderate length distress my feet.
I shewed my stranger guest those hills sublime,
But said: The view is poor; we need not climb.'
At a friend's mansion I began to dread
The cold neat parlour and the gay glazed bed:
At home I felt a more decided taste,

And must have all things in my order placed.
I ceased to hunt; my horses pleased me less-
My dinner more; I learned to play at chess.
I took my dog and gun, but saw the brute
Was disappointed that I did not shoot.

My morning walks I now could bear to lose,

And blessed the shower that gave me not to choose:

In fact, I felt a languor stealing on;

The active arm, the agile hand, were gone;
Small daily actions into habits grew,

And new dislike to forms and fashions new.

I loved my trees in order to dispose ;

I numbered peaches, looked how stocks arose ;
Told the same story oft-in short, began to prose.

Song of the Crazed Maiden.-From the same.
Let me not have this gloomy view
About my room, about my bed;
But morning roses, wet with dew,

To cool my burning brow instead ;
As flowers that once in Eden grew,
Let them their fragrant spirits shed,
And every day their sweets renew,

Till I, a fading flower, am dead.

O let the herbs I loved to rear

Give to my sense their perfumed breath! Let them be placed about my bier,

And grace the gloomy house of death. I'll have my grave beneath a hill,

Where only Lucy's self shall know, Where runs the pure pellucid rill Upon its gravelly bed below; There violets on the borders blow,

And insects their soft light display,
Till, as the morning sunbeams glow,
The cold phosphoric fires decay.
That is the grave to Lucy shewn ;
The soil a pure and silver sand;
The green cold moss above it grown,
Unplucked of all but maiden hand.
In virgin earth, till then unturned,

There let my maiden form be laid;
Nor let my changed clay be spurned,
Nor for new guest that bed be made.
There will the lark, the lamb, in sport,
In air, on earth, securely play :
And Lucy to my grave resort,
As innocent, but not so gay.
I will not have the churchyard ground
With bones all black and ugly grown,
To press my shivering body round,

Or on my wasted limbs be thrown.

With ribs and skulls I will not sleep,
In clammy beds of cold blue clay,
Through which the ringed earth-worms creep,
And on the shrouded bosom prey.

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Sketches of Autumn.-From the same.

It was a fair and mild autumnal sky,
And earth's ripe treasures met the admiring eye,
As a rich beauty when the bloom is lost,
Appears with more magnificence and cost:
The wet and heavy grass, where feet had strayed,
Not yet erect, the wanderer's way betrayed;
Showers of the night had swelled the deepening rill,
The morning breeze had urged the quickening mill;
Assembled rooks had winged their seaward flight,
By the same passage to return at night,
While proudly o'er them hung the steady kite,
Then turned them back, and left the noisy throng,
Nor deigned to know them as he sailed along.
Long yellow leaves, from osiers, strewed around,
Choked the dull stream, and hushed its feeble sound,
While the dead foliage dropt from loftier trees,
Our squire beheld not with his wonted ease;
But to his own reflections made reply,

And said aloud: Yes; doubtless we must die.'
'We must,' said Richard; 'and we would not live
To feel what dotage and decay will give;
But we yet taste whatever we behold;
The morn is lovely, though the air is cold:
There is delicious quiet in this scene,
At once so rich, so varied, so serene;
Sounds, too, delight us-each discordant tone
Thus mingled please, that fail to please alone;
This hollow wind, this rustling of the brook,
The farm-yard noise, the woodman at yon oak-
See, the axe falls!-now listen to the stroke:
That gun itself, that murders all this peace,
Adds to the charm, because it soon must cease.'

Cold grew the foggy morn, the day was brief,
Loose on the cherry hung the crimson leaf:
The dew dwelt ever on the herb; the woods
Roared with strong blasts, with mighty showers the

floods :

All green was vanished save of pine and yew,
That still displayed their melancholy hue;
Save the green holly with its berries red,
And the green moss that o'er the gravel spread.

SAMUEL ROGERS.

There is a poetry of taste as well as of the passions, which can only be relished by the intellectual classes, but is capable of imparting exquisite pleasure to those who have the key to its hidden mysteries. It is somewhat akin to that delicate appreciation of the fine arts, or of music, which in some men amounts to almost a new sense. SAMUEL

ment; and, till the failure of his mental powers, a short time previous to his death, he retained that love of the beautiful which was in him a passion: when more than ninety, and a close prisoner to his chair, he still delighted to watch the changing colours of the evening sky-to repeat passages of his favourite poets, or to dwell on the merits of the great painters whose works adorned his walls. By slow decay, and without any suffering, he died in St James's Place, 18th December 1855.' The poet bequeathed three of his pictures-a Titian, a Guido, and a Giorgione-to the National Gallery. The Titian he considered the most valuable in his possession. It had been in the Orleans Gallery, and when that princely collection was broken up, it was sold for four hundred guineas. Mr Rogers, however, gave more than double that sum for it in 1828.

ROGERS, author of the Pleasures of Memory, was a votary of this school of refinement. We have everywhere in his works a classic and graceful beauty; no slovenly or obscure lines; fine cabinet pictures of soft and mellow lustre ; and occasionally trains of thought and association that awaken or recall tender and heroic feelings. His diction is clear and polished-finished with great care and scrupulous nicety. On the other hand, it must be admitted that he has no forcible or original invention, no deep pathos that thrills the soul, and no kindling energy that fires the imagination. In his shadowy poem of Columbus, he seems often to verge on the sublime, but does not attain it. His late works are his best. Parts of Human Life possess deeper feeling than are to be found in the Pleasures of Memory; and in the easy half-conversational sketches of his Italy, there are delightful glimpses of Italian life, and scenery, and old It was as a man of taste and letters, as a patron traditions. The poet was an accomplished traveller, of artists and authors, and as the friend of almost a lover of the fair and good, and a worshipper of every illustrious man that has graced our annals the classic glories of the past. Samuel Rogers for the last half-century and more, that Mr Rogers was born at Stoke Newington, one of the suburbs chiefly engaged the public attention. At his of London, on the 30th July 1763. His father | celebrated breakfast-parties, persons of almost all was a banker in the City, and the poet, after a classes and pursuits were found. He made the careful private education, was introduced into the morning meal famous as a literary rallying-point; banking establishment, of which he continued a and during the London season there was scarcely partner up to the time of his death. He appeared a day in which from four to six persons were not as an author in 1786, the same year that witnessed assembled at the hospitable board in St James's the advent of Burns. The production of Rogers Place. There, discussion as to books or pictures, was a thin quarto of a few pages, an Ode to Super- anecdotes of the great of old, some racy saying of stition, with some other Poems. In 1792, he pro- | Sheridan, Erskine, or Horne Tooke, some social duced the Pleasures of Memory; in 1798, his trait of Fox, some apt quotation or fine passage Epistle to a Friend, with other Poems; in 1812, read aloud, some incident of foreign travel Columbus; and in 1814, Jacqueline, a tale, pub-recounted-all flowed on without restraint, and lished in conjunction with Byron's Lara

Like morning brought by night.

In 1819, appeared Human Life, and in 1822, the first part of Italy, a descriptive poem in blank verse. Rogers was a careful and fastidious writer. In his Table Talk, published by Mr Dyce, the poet is represented as saying: I was engaged on the Pleasures of Memory for nine years; on Human Life for nearly the same space of time; and Italy was not completed in less than sixteen years.' The collected works of Mr Rogers have been published in various forms-one of them containing vignette engravings from designs by Stothard and Turner, and forming no inconsiderable trophy of British art. The poet was enabled to cultivate his favourite tastes, to enrich his house in St James's Place with some of the finest and rarest pictures, busts, books, gems, and other articles of virtu, and to entertain his friends with a generous and unostentatious hospitality. His conversation was rich and various, abounding in critical remarks, shrewd observation, and personal anecdote. It is gratifying to add that his bounty soothed and relieved the death-bed of Sheridan, and was exerted to a large extent annually in behalf of suffering or unfriended talent. 'Genius languishing for want of patronage,' says Mr Dyce, was sure to find in Mr Rogers a generous patron. His purse was ever open to the distressed: of the prompt assistance which he rendered in the hour of need to various well-known individuals, there is ample record; but of his many acts of kindness and charity to the wholly obscure, there is no memorial-at least on earth. The taste of Mr Rogers had been cultivated to the utmost refine

charmed the hours till mid-day. A certain quaint
shrewdness and sarcasm, though rarely taking an
offensive form, also characterised Rogers's con-
versation. Many of his sayings circulated in
society and got into print. Some one said that
Gally Knight was getting deaf: 'It is from want
of practice,' remarked Rogers, Mr Knight being
a great speaker and bad listener. The late Lord
Dudley (Ward) had been free in his criticisms on
the poet, who retaliated with that epigrammatic
couplet, which has never been surpassed—

Ward has no heart, they say; but I deny it;
He has a heart-he gets his speeches by it.

The poet, it is said, on one occasion tried to
extort a confession from his neighbour, Sir Philip
Francis, that he was the author of Junius, but
Francis gave a surly rebuff, and Rogers remarked
that if he was not Junius, he was at least Brutus.
We may remark that the poet's recipe for long
life was, 'temperance, the bath and flesh brush,
and don't fret.' The felicity of his own lot he
has thus gracefully alluded to:

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