An Essay on the Genius and Writings of Pope, Volume 1Garland Pub., 1970 - 334 pagina's |
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Pagina 163
... fame volume informs us of a curious anecdote , that Boileau + generally made the second verse of a couplet before the first ; that he declared it was one of the grand fe- crets of poetry to give , by this means , a greater energy and ...
... fame volume informs us of a curious anecdote , that Boileau + generally made the second verse of a couplet before the first ; that he declared it was one of the grand fe- crets of poetry to give , by this means , a greater energy and ...
Pagina 179
... fame flight and danger with the rapid horses ? " We have lately seen a juft fpecimen of the genuine method of criticising , in Mr. Harris's accurate Dif- courfe on Poetry , Painting , and Mufic . I have frequently wondered , that ...
... fame flight and danger with the rapid horses ? " We have lately seen a juft fpecimen of the genuine method of criticising , in Mr. Harris's accurate Dif- courfe on Poetry , Painting , and Mufic . I have frequently wondered , that ...
Pagina 413
... Fame is not fufficiently distinct and perceptible . POPE has however the merit of compreffing the sense of a great number of Chaucer's lines into a fmall compass . As Chaucer takes every opportunity of fa- tyrizing the follies of his ...
... Fame is not fufficiently distinct and perceptible . POPE has however the merit of compreffing the sense of a great number of Chaucer's lines into a fmall compass . As Chaucer takes every opportunity of fa- tyrizing the follies of his ...
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An Essay on the Genius and Writings of Pope, Vol. 1 of 2 (Classic Reprint) Joseph Warton Geen voorbeeld beschikbaar - 2018 |
Veelvoorkomende woorden en zinsdelen
Abelard Addiſon Æneid alfo almoſt alſo ancient beautiful becauſe beſt Boileau Cant character Chaucer circumſtances cloſely compofition Corneille criticiſm defcribed defign deſcription Dryden Eclogue Effay elegant Eloifa epic poetry epiftle Euripides excellent expreffed expreffion exquifite faid fame fatire fays fecond feems fentiments fhall firft firſt folemn fome fpecies ftrokes ftrong fubject fublime fuch fufficiently fylphs genius greateſt himſelf hiſtory Homer Iliad images imagination inftance itſelf Jane Shore juſt laft laſt loft Milton moft moſt mufic muſt nature numbers o'er obfervations occafion Ovid paffage paffion perfon Petrarch piece Pindar pleaſed pleaſure poefy poem poet poetical poetry POPE praiſes prefent profe publiſhed Quintilian Racine reaſon reprefented ſaid ſay ſcene ſeems ſeen ſhall ſhe ſhould ſome Sophocles ſpeak ſpecies ſpirit ſtanza ſtill ſtory ſtriking ſuch taſte thefe themſelves Theocritus theſe thofe thoſe thought tion tragedy tranflated uſed verfes verſe Virgil Voltaire whofe whoſe writer