An Essay on the Genius and Writings of Pope, Volume 1Garland Pub., 1970 - 334 pagina's |
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Pagina 125
... rules of the Epopea were all drawn from the Iliad and the Odyffey ; and of Tragedy , from the OEDIPUS of Sophocles . A petulant re- jection , and an implicit veneration , of the rules of the ancient critics , are equally de- • Ver . 83 ...
... rules of the Epopea were all drawn from the Iliad and the Odyffey ; and of Tragedy , from the OEDIPUS of Sophocles . A petulant re- jection , and an implicit veneration , of the rules of the ancient critics , are equally de- • Ver . 83 ...
Pagina 126
... rules , where no literary dictator had authority to prescribe . ” THIS liberal and manly cenfure of cri- tical bigotry , extends not to thofe funda- mental and indispensable rules , which na- ture and neceffity dictate , and demand to ...
... rules , where no literary dictator had authority to prescribe . ” THIS liberal and manly cenfure of cri- tical bigotry , extends not to thofe funda- mental and indispensable rules , which na- ture and neceffity dictate , and demand to ...
Pagina 145
... rules . Would you fuffer the chafte queen of Bohemia to perish ? For how can you clear her innocence ? Believe me , COMBAT is the most honourable me- thod you can purfue ; and , befides , it will add such grace to your play , that all ...
... rules . Would you fuffer the chafte queen of Bohemia to perish ? For how can you clear her innocence ? Believe me , COMBAT is the most honourable me- thod you can purfue ; and , befides , it will add such grace to your play , that all ...
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An Essay on the Genius and Writings of Pope, Vol. 1 of 2 (Classic Reprint) Joseph Warton Geen voorbeeld beschikbaar - 2018 |
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Abelard Addiſon Æneid alfo almoſt alſo ancient beautiful becauſe beſt Boileau Cant character Chaucer circumſtances cloſely compofition Corneille criticiſm defcribed defign deſcription Dryden Eclogue Effay elegant Eloifa epic poetry epiftle Euripides excellent expreffed expreffion exquifite faid fame fatire fays fecond feems fentiments fhall firft firſt folemn fome fpecies ftrokes ftrong fubject fublime fuch fufficiently fylphs genius greateſt himſelf hiſtory Homer Iliad images imagination inftance itſelf Jane Shore juſt laft laſt loft Milton moft moſt mufic muſt nature numbers o'er obfervations occafion Ovid paffage paffion perfon Petrarch piece Pindar pleaſed pleaſure poefy poem poet poetical poetry POPE praiſes prefent profe publiſhed Quintilian Racine reaſon reprefented ſaid ſay ſcene ſeems ſeen ſhall ſhe ſhould ſome Sophocles ſpeak ſpecies ſpirit ſtanza ſtill ſtory ſtriking ſuch taſte thefe themſelves Theocritus theſe thofe thoſe thought tion tragedy tranflated uſed verfes verſe Virgil Voltaire whofe whoſe writer