An Essay on the Genius and Writings of Pope, Volume 1Garland Pub., 1970 - 334 pagina's |
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Pagina 137
... writer are confounded . The former may justly be said to " take a nearer ' way , and , to deviate from a track ; " but how can a borfe fnatch a grace , " or 66 gain the heart ? ” 13. Some figures monstrous and mishap'd appear , Confider ...
... writer are confounded . The former may justly be said to " take a nearer ' way , and , to deviate from a track ; " but how can a borfe fnatch a grace , " or 66 gain the heart ? ” 13. Some figures monstrous and mishap'd appear , Confider ...
Pagina 169
... writer has fhewn a greater penetration into the receffes of the human heart , than this philofopher , in the second book of his Rhetoric ; where he treats of the different manners and pas- Lions , that distinguish each different age and ...
... writer has fhewn a greater penetration into the receffes of the human heart , than this philofopher , in the second book of his Rhetoric ; where he treats of the different manners and pas- Lions , that distinguish each different age and ...
Pagina 175
... writer in heroics ; Sappho , Ana- creon , and Simonides , in lyric ; Euripides ONLY , among tragic writers ; among the hiftorians , Ephorus , and Theopompus ; and Ifocrates , among the rhetoricians : all these , says he , have used ...
... writer in heroics ; Sappho , Ana- creon , and Simonides , in lyric ; Euripides ONLY , among tragic writers ; among the hiftorians , Ephorus , and Theopompus ; and Ifocrates , among the rhetoricians : all these , says he , have used ...
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An Essay on the Genius and Writings of Pope, Vol. 1 of 2 (Classic Reprint) Joseph Warton Geen voorbeeld beschikbaar - 2018 |
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Abelard Addiſon Æneid alfo almoſt alſo ancient beautiful becauſe beſt Boileau Cant character Chaucer circumſtances cloſely compofition Corneille criticiſm defcribed defign deſcription Dryden Eclogue Effay elegant Eloifa epic poetry epiftle Euripides excellent expreffed expreffion exquifite faid fame fatire fays fecond feems fentiments fhall firft firſt folemn fome fpecies ftrokes ftrong fubject fublime fuch fufficiently fylphs genius greateſt himſelf hiſtory Homer Iliad images imagination inftance itſelf Jane Shore juſt laft laſt loft Milton moft moſt mufic muſt nature numbers o'er obfervations occafion Ovid paffage paffion perfon Petrarch piece Pindar pleaſed pleaſure poefy poem poet poetical poetry POPE praiſes prefent profe publiſhed Quintilian Racine reaſon reprefented ſaid ſay ſcene ſeems ſeen ſhall ſhe ſhould ſome Sophocles ſpeak ſpecies ſpirit ſtanza ſtill ſtory ſtriking ſuch taſte thefe themſelves Theocritus theſe thofe thoſe thought tion tragedy tranflated uſed verfes verſe Virgil Voltaire whofe whoſe writer