An Essay on the Genius and Writings of Pope, Volume 1Garland Pub., 1970 - 334 pagina's |
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Pagina 151
... writers , it is evi- dent that he bestowed much time and care on his poems , before he ventured them out of his hands * . ” 26. Frue ease in writing comes from art not chance , As those move eafieft who have learn'd to dance + . It is ...
... writers , it is evi- dent that he bestowed much time and care on his poems , before he ventured them out of his hands * . ” 26. Frue ease in writing comes from art not chance , As those move eafieft who have learn'd to dance + . It is ...
Pagina 201
... writing well * . " THIS high panegyric procured to POPE the acquaintance , and afterwards the con- ftant friendship ... writer , formed only on the French critics , fpeaks of Milton , must be confidered as proofs of his want of critical ...
... writing well * . " THIS high panegyric procured to POPE the acquaintance , and afterwards the con- ftant friendship ... writer , formed only on the French critics , fpeaks of Milton , must be confidered as proofs of his want of critical ...
Pagina 267
... writing . The prologues of Dryden are fatyrical and facetious ; this of POPE is foleinn and fublime , as the sub ... writer . The fol lowing paffage is curious , and has not been taken notice of by the late writers of his life : " Ego ...
... writing . The prologues of Dryden are fatyrical and facetious ; this of POPE is foleinn and fublime , as the sub ... writer . The fol lowing paffage is curious , and has not been taken notice of by the late writers of his life : " Ego ...
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An Essay on the Genius and Writings of Pope, Vol. 1 of 2 (Classic Reprint) Joseph Warton Geen voorbeeld beschikbaar - 2018 |
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Abelard Addiſon Æneid alfo almoſt alſo ancient beautiful becauſe beſt Boileau Cant character Chaucer circumſtances cloſely compofition Corneille criticiſm defcribed defign deſcription Dryden Eclogue Effay elegant Eloifa epic poetry epiftle Euripides excellent expreffed expreffion exquifite faid fame fatire fays fecond feems fentiments fhall firft firſt folemn fome fpecies ftrokes ftrong fubject fublime fuch fufficiently fylphs genius greateſt himſelf hiſtory Homer Iliad images imagination inftance itſelf Jane Shore juſt laft laſt loft Milton moft moſt mufic muſt nature numbers o'er obfervations occafion Ovid paffage paffion perfon Petrarch piece Pindar pleaſed pleaſure poefy poem poet poetical poetry POPE praiſes prefent profe publiſhed Quintilian Racine reaſon reprefented ſaid ſay ſcene ſeems ſeen ſhall ſhe ſhould ſome Sophocles ſpeak ſpecies ſpirit ſtanza ſtill ſtory ſtriking ſuch taſte thefe themſelves Theocritus theſe thofe thoſe thought tion tragedy tranflated uſed verfes verſe Virgil Voltaire whofe whoſe writer