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" The clock's tick-tock I take to be a model of what we call a plot, an organization that humanizes time by giving it form; and the interval between tock and tick represents purely successive, disorganized time of the sort that we need to humanize. "
Discourse and Identity - Pagina 34
geredigeerd door - 2006 - 462 pagina’s
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Preaching Biblically

Don M. Wardlaw - 1983 - 173 pagina’s
...different is a special kind of middle. We can perceive a duration only when it is organized. . . . The clock's tick-tock I take to be a model of what...organization that humanizes time by giving it form. 1 because it is organized time. The raw, undisciplined substance of time is shaped by the brackets...
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Telling Time: Clocks, Diaries, and English Diurnal Form, 1660-1785

Stuart Sherman - 1996 - 323 pagina’s
...confer organization and form on temporal structure. The interval between . . . tick and tock is ... charged with significant duration. The clock's tick-tock...represents purely successive, disorganized time of the sort that we need to humanize. . . . Tick is a humble genesis, tock a feeble apocalypse. . . . (Kermode...
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Power to Hurt: The Virtues of Alienation

William Frank Monroe - 1998 - 243 pagina’s
...Literature and the Arts, ed. Irving Howe (New York: Horizon, 1967), p. 14. 14. "The clock's tick-lock I take to be a model of what we call a plot, an organization...humanizes time by giving it form; and the interval between tick and tock represents purely successive, disorganized time of the sort we need to humanize." Frank...
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The Sense of an Ending: Studies in the Theory of Fiction with a New Epilogue

Frank Kermode - 2000 - 224 pagina’s
...end to confer organization and form on the temporal structure. The interval between the two sounds, between tick and tock is now charged with significant...represents purely successive, disorganized time of the sort that we need to humanize. Later I shall be asking whether, when tick-tock seems altogether too easily...
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Philip Roth: New Perspectives on an American Author

Derek Parker Royal - 2005 - 303 pagina’s
...that "it is we who provide the fictional difference between the two sounds"; thus, he takes tick-tock "to be a model of what we call a plot, an organization that humanizes time by giving it form" (44—45). Moreover, Kermode opens his lectures on apocalypticism in fiction by recalling "the golden...
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