The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 333
... American modernism – a vernacular , rigorous , free , and spontaneous , to which European prototypes had contributed nothing at all . What had influenced his paintings , he was asked , and in 1943 Davis made a list : - the brilliant ...
... American modernism – a vernacular , rigorous , free , and spontaneous , to which European prototypes had contributed nothing at all . What had influenced his paintings , he was asked , and in 1943 Davis made a list : - the brilliant ...
Pagina 341
... American flag . But to use the word " subject " in Johns's case is wrong , since there is no actual difference between the painting and the flag it purportedly " represents . " The distance between the medium and the message has shrunk ...
... American flag . But to use the word " subject " in Johns's case is wrong , since there is no actual difference between the painting and the flag it purportedly " represents . " The distance between the medium and the message has shrunk ...
Pagina 391
... America , smooth its frontier brutality , refine its shellback materialism , and take the raw edges off new capital . The idea of social improvement through art struck a responsive chord in the American rich , who proceeded to pour ...
... America , smooth its frontier brutality , refine its shellback materialism , and take the raw edges off new capital . The idea of social improvement through art struck a responsive chord in the American rich , who proceeded to pour ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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