The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 212
... André Breton ( 1896–1966 ) . In the 1920s , Breton developed into one of the great fascinators of modern art - a quality which does not always come across in the chanting , verbose cadences of his prose , especially in translation . He ...
... André Breton ( 1896–1966 ) . In the 1920s , Breton developed into one of the great fascinators of modern art - a quality which does not always come across in the chanting , verbose cadences of his prose , especially in translation . He ...
Pagina 213
... Breton thought , epitomised the relation between an artist and his chosen reality . The only poetry worth having ... André Breton was a natural clan leader , and he soon assembled a circle of friends , some touched by the edge of Dada ...
... Breton thought , epitomised the relation between an artist and his chosen reality . The only poetry worth having ... André Breton was a natural clan leader , and he soon assembled a circle of friends , some touched by the edge of Dada ...
Pagina 255
... André Breton , André Masson , Yves Tanguy , and Salvador Dali . Miró went back to Spain . In hindsight , the Surrealist diaspora seems to mark the end of Paris as the centre of Western art ; it would not regain that role , which was ...
... André Breton , André Masson , Yves Tanguy , and Salvador Dali . Miró went back to Spain . In hindsight , the Surrealist diaspora seems to mark the end of Paris as the centre of Western art ; it would not regain that role , which was ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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