The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 27
... Braque was painting : a country house seen over a bushy slope , with a tree sloping away to the left ( plates 9 , 10 ) . Braque turned this simple motif into a curious play of ambiguities . Every scrap of detail is edited out of the ...
... Braque was painting : a country house seen over a bushy slope , with a tree sloping away to the left ( plates 9 , 10 ) . Braque turned this simple motif into a curious play of ambiguities . Every scrap of detail is edited out of the ...
Pagina 29
... Braque - predicated his art on physical sensation . He had an unequalled ability to realize form : to make you feel the shape , the weight , the edginess , the silence of things . This is clear from his handling of a motif similar to ...
... Braque - predicated his art on physical sensation . He had an unequalled ability to realize form : to make you feel the shape , the weight , the edginess , the silence of things . This is clear from his handling of a motif similar to ...
Pagina 146
... Braque might have taken his motto from Pascal : Le moi est haissable ( The ego is hateful ) , for he was one of the arch - classicists of modern painting , and throughout his career he called himself an artiste - peintre , a phrase more ...
... Braque might have taken his motto from Pascal : Le moi est haissable ( The ego is hateful ) , for he was one of the arch - classicists of modern painting , and throughout his career he called himself an artiste - peintre , a phrase more ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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