The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 215
... Chirico's work was the necessary link between Romantic art and Surrealism . Below the rational and sensuous surface of nineteenth - century painting , the bright skin of Impressionism , the solid material world of Courbet , or , further ...
... Chirico's work was the necessary link between Romantic art and Surrealism . Below the rational and sensuous surface of nineteenth - century painting , the bright skin of Impressionism , the solid material world of Courbet , or , further ...
Pagina 217
... Chirico's primitive and inconsistent one - point perspective , the eye is frustrated . Many of the images in de Chirico's work were real , and came from real places : mostly from Turin , where they can still be recognized today . A ...
... Chirico's primitive and inconsistent one - point perspective , the eye is frustrated . Many of the images in de Chirico's work were real , and came from real places : mostly from Turin , where they can still be recognized today . A ...
Pagina 219
... Chirico's landscape are neither men. 150 Giorgio de Chirico Melancholy and Mystery of a Street 1914 Oil on canvas 34 × 284 ins : Private Collection ( photo Allan Mitchell , Connecticut ) SPADEM 152 Max Ernst The Elephant Celebes 1921 Oil ...
... Chirico's landscape are neither men. 150 Giorgio de Chirico Melancholy and Mystery of a Street 1914 Oil on canvas 34 × 284 ins : Private Collection ( photo Allan Mitchell , Connecticut ) SPADEM 152 Max Ernst The Elephant Celebes 1921 Oil ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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