The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 187
... Corbusier " - the crowlike one . ( Doubtless this referred to his taut and beaky frame and inquisitive eye , rather than to his harsh , carking absolutism in argument ; but it seems to suit both . ) Corbusier ( 1887-1965 ) was , at the ...
... Corbusier " - the crowlike one . ( Doubtless this referred to his taut and beaky frame and inquisitive eye , rather than to his harsh , carking absolutism in argument ; but it seems to suit both . ) Corbusier ( 1887-1965 ) was , at the ...
Pagina 188
... Corbusier could dismiss most of Paris ' historical deposit as a dry crust of junk is the measure of his fervour , and one would be quite wrong to think he did not mean every syllable of the tirades he directed against the sentimental ...
... Corbusier could dismiss most of Paris ' historical deposit as a dry crust of junk is the measure of his fervour , and one would be quite wrong to think he did not mean every syllable of the tirades he directed against the sentimental ...
Pagina 190
... Corbusier turned its roof into a magnificent ceremonial space , dedicated to the cult of the sun . The problems begin under that slab . Corbusier had been deeply influenced by the doctrines of social reform elaborated by Charles Fourier ...
... Corbusier turned its roof into a magnificent ceremonial space , dedicated to the cult of the sun . The problems begin under that slab . Corbusier had been deeply influenced by the doctrines of social reform elaborated by Charles Fourier ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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