The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 68
... Expressionism ( see Chapter 6 ) , which by 1914 was already well enough established as a cultural force in Germany to attract the scorn of younger artists . In 1913 , Franz Marc , soon to die at Verdun , had painted a vision of ...
... Expressionism ( see Chapter 6 ) , which by 1914 was already well enough established as a cultural force in Germany to attract the scorn of younger artists . In 1913 , Franz Marc , soon to die at Verdun , had painted a vision of ...
Pagina 78
... Expressionism had produced some memorable political images : one has only to think of Max Pechstein's book - cover for An Alle Künstler , 1919 , with its artist - hero holding his heart , ablaze with Spartakist fervour , in deliberate ...
... Expressionism had produced some memorable political images : one has only to think of Max Pechstein's book - cover for An Alle Künstler , 1919 , with its artist - hero holding his heart , ablaze with Spartakist fervour , in deliberate ...
Pagina 310
... Expressionism by the cult of the imperious Ego . Brancusi ignored Expressionism by asserting that a stone could be as full of meaning as anything it might be made to represent . His attitude would have been understood at once in Japan ...
... Expressionism by the cult of the imperious Ego . Brancusi ignored Expressionism by asserting that a stone could be as full of meaning as anything it might be made to represent . His attitude would have been understood at once in Japan ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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