The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 68
... German art . It came from Expressionism ( see Chapter 6 ) , which by 1914 was already well enough established as a cultural force in Germany to attract the scorn of younger artists . In 1913 , Franz Marc , soon to die at Verdun , had ...
... German art . It came from Expressionism ( see Chapter 6 ) , which by 1914 was already well enough established as a cultural force in Germany to attract the scorn of younger artists . In 1913 , Franz Marc , soon to die at Verdun , had ...
Pagina 73
... German Dada tried to reject all tradition , but it collided with an old one : the idea of human society as a Narrenschiff , a ship of fools , crowded with emblematic passengers of different rank and occupation , condemned for ever to ...
... German Dada tried to reject all tradition , but it collided with an old one : the idea of human society as a Narrenschiff , a ship of fools , crowded with emblematic passengers of different rank and occupation , condemned for ever to ...
Pagina 286
... German avant - garde art in general , from the colonizing weight of French painting . " German art has to fly with its own wings , " he wrote to another Expression- ist , Emil Nolde , in 1912. “ We have the duty to separate ourselves ...
... German avant - garde art in general , from the colonizing weight of French painting . " German art has to fly with its own wings , " he wrote to another Expression- ist , Emil Nolde , in 1912. “ We have the duty to separate ourselves ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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