The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 43
... Italian property developer of the seventies , and the progressive destruction of the Italian countryside and the annihilation of Italy's coastline are the prose expression of that Oedipal brutality whose poetry was Futurism . Of all ...
... Italian property developer of the seventies , and the progressive destruction of the Italian countryside and the annihilation of Italy's coastline are the prose expression of that Oedipal brutality whose poetry was Futurism . Of all ...
Pagina 99
... Italian modernism . Thus Marino Marini , better known for his horses and riders , supplied a travertine figure of Italy in Arms ( plate 63 ) , while Enrico Prampolini did a mural of Mussolini's Black Shirts trampling the red flags of ...
... Italian modernism . Thus Marino Marini , better known for his horses and riders , supplied a travertine figure of Italy in Arms ( plate 63 ) , while Enrico Prampolini did a mural of Mussolini's Black Shirts trampling the red flags of ...
Pagina 215
... Italy . De Chirico found in Böcklin the very qualities that Italian Futurism most hated mystery , nostalgia for the past , and a tremulous feeling for what is history - bound , rather than “ objective " or " progressive , " in human ...
... Italy . De Chirico found in Böcklin the very qualities that Italian Futurism most hated mystery , nostalgia for the past , and a tremulous feeling for what is history - bound , rather than “ objective " or " progressive , " in human ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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