The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 52
... Marcel Duchamp ( 1887-1968 ) . In the years before he gave up the public production of art in favour of chess ( and the secret construction of his last work , Étant Données , 1946–66 ) , Duchamp ran variations on the available styles of ...
... Marcel Duchamp ( 1887-1968 ) . In the years before he gave up the public production of art in favour of chess ( and the secret construction of his last work , Étant Données , 1946–66 ) , Duchamp ran variations on the available styles of ...
Pagina 66
... Marcel Duchamp's LHOOQ , 1919 : the moustache on the Mona Lisa , a gesture by now synonymous with impish cultural irreverence ( plate 35 ) . As is usual with Duchamp's puns , it works on several layers at once . The coarse title – LHOOQ ...
... Marcel Duchamp's LHOOQ , 1919 : the moustache on the Mona Lisa , a gesture by now synonymous with impish cultural irreverence ( plate 35 ) . As is usual with Duchamp's puns , it works on several layers at once . The coarse title – LHOOQ ...
Pagina 412
... Marcel Duchamp . London : Thames & Hudson , 1974. New York : MOMA , 1973 . Hemmings , F. W. J. Culture and Society in France , 1848-1898 : Dissidents and Philistines . London : Batsford , 1971. New York : Scribners , 1972 . Heron ...
... Marcel Duchamp . London : Thames & Hudson , 1974. New York : MOMA , 1973 . Hemmings , F. W. J. Culture and Society in France , 1848-1898 : Dissidents and Philistines . London : Batsford , 1971. New York : Scribners , 1972 . Heron ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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