The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 42
... Marinetti was an expert at packaging . He devised a scenario of confrontation in which every kind of human behaviour could eventually be seen as “ art , ” and in this way he became the Italian godfather of all later performance pieces ...
... Marinetti was an expert at packaging . He devised a scenario of confrontation in which every kind of human behaviour could eventually be seen as “ art , ” and in this way he became the Italian godfather of all later performance pieces ...
Pagina 43
... Marinetti and his group - was that technology had created a new kind of man , a class of machine visionaries , composed of Marinetti and anyone else who wanted to join . The machine was about to redraw the cultural map of Europe ( as ...
... Marinetti and his group - was that technology had created a new kind of man , a class of machine visionaries , composed of Marinetti and anyone else who wanted to join . The machine was about to redraw the cultural map of Europe ( as ...
Pagina 63
... Marinetti wanted to destroy culture in the name of the Future , Ball for the sake of the Past : " We should burn all libraries and allow to remain only that which everyone knows by heart . A beautiful age of the legend would then begin ...
... Marinetti wanted to destroy culture in the name of the Future , Ball for the sake of the Past : " We should burn all libraries and allow to remain only that which everyone knows by heart . A beautiful age of the legend would then begin ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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