The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 391
a Over the last half - century , the Museum has supplanted the Church as the main focus of civic pride in American cities . ( At the same time , European churches were busy converting themselves , for survival , into museums . ) ...
a Over the last half - century , the Museum has supplanted the Church as the main focus of civic pride in American cities . ( At the same time , European churches were busy converting themselves , for survival , into museums . ) ...
Pagina 392
There were profound differences between van Gogh's pantheism and Gabo's materialism , but both belonged in the Museum . De Chirico and the Surrealists ended up hating one another , but in MOMA's eyes both were cultural facts .
There were profound differences between van Gogh's pantheism and Gabo's materialism , but both belonged in the Museum . De Chirico and the Surrealists ended up hating one another , but in MOMA's eyes both were cultural facts .
Pagina 414
New York : Guggenheim Museum , 1979 . Rubin , William S. Dada and Surrealist Art . London : Thames & Hudson , 1969 . New York : Abrams , 1968 . Rubin , William S. Frank Stella . New York : MOMA , 1970 . Rubin , William S. André Masson .
New York : Guggenheim Museum , 1979 . Rubin , William S. Dada and Surrealist Art . London : Thames & Hudson , 1969 . New York : Abrams , 1968 . Rubin , William S. Frank Stella . New York : MOMA , 1970 . Rubin , William S. André Masson .
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abstract American architects architecture artist avant-garde became become believed body Braque building called Campbell century clear Collection colour created Cubism culture drawing early effect experience expression Expressionism fact feeling field figures French future Gallery German give glass hand human idea ideal images imagined interest Italy kind landscape late later less light living look machine mass material Matisse meaning meant mind Modern Art modernist moral movement Museum named nature never objects Oil on canvas once painter painting Paris perhaps Picasso plate political Pop art produced reality sculpture seemed seen sense shape signs social space street structure studio style surface Surrealist symbol things thought took Tower tradition turned wall wanted whole wrote York
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