The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 38
... Paris , slender as a hatpin . When we retreated from it , it dominated Paris , stark and perpendicular . When we came close , it tilted and leaned over us . Seen from the first platform it corkscrewed around its own axis , and seen from ...
... Paris , slender as a hatpin . When we retreated from it , it dominated Paris , stark and perpendicular . When we came close , it tilted and leaned over us . Seen from the first platform it corkscrewed around its own axis , and seen from ...
Pagina 187
... Paris . It developed from his irrefutable perception that the centre of Paris was too congested , crammed , and old to support the intense motor traffic that the early twentieth century was bringing ; that many of its buildings were ...
... Paris . It developed from his irrefutable perception that the centre of Paris was too congested , crammed , and old to support the intense motor traffic that the early twentieth century was bringing ; that many of its buildings were ...
Pagina 241
... Paris ' equivalent to Madame Tussaud's . It was one of the favourite spots of Surrealism in the twenties and thirties , for waxworks , like de Chirico's dummies , lie somewhere between art and life . They are failures , sinister hybrids ...
... Paris ' equivalent to Madame Tussaud's . It was one of the favourite spots of Surrealism in the twenties and thirties , for waxworks , like de Chirico's dummies , lie somewhere between art and life . They are failures , sinister hybrids ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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