The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 81
... revolutions in the spheres of art and of politics , but this hope was grounded in the nature of late tsarist Russia ... Revolution . In 1913 , Russia was in closer touch with Europe than it would ever be again after 1930. The successive ...
... revolutions in the spheres of art and of politics , but this hope was grounded in the nature of late tsarist Russia ... Revolution . In 1913 , Russia was in closer touch with Europe than it would ever be again after 1930. The successive ...
Pagina 85
... Revolution and its millenarian fantasy , the withering away of the State through the dictatorship of the proletariat ( plate 49 ) . The people who lent the Revolution its aesthetic voice , writers like Mayakovsky , artists like Tatlin ...
... Revolution and its millenarian fantasy , the withering away of the State through the dictatorship of the proletariat ( plate 49 ) . The people who lent the Revolution its aesthetic voice , writers like Mayakovsky , artists like Tatlin ...
Pagina 165
... revolution , " as though all the impulses towards social violence came down to errors of housing . ( Nevertheless , Corbusier's patrons , who included one or two of the largest capitalists in France , preferred on the whole to take ...
... revolution , " as though all the impulses towards social violence came down to errors of housing . ( Nevertheless , Corbusier's patrons , who included one or two of the largest capitalists in France , preferred on the whole to take ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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