The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 114
... Seurat ( 1859-91 ) . Seurat was a prodigy . He was not quite thirty - two when he died . Few artists find their style so young . Seurat not only found one , but his was one of the most lucid classical styles developed since the ...
... Seurat ( 1859-91 ) . Seurat was a prodigy . He was not quite thirty - two when he died . Few artists find their style so young . Seurat not only found one , but his was one of the most lucid classical styles developed since the ...
Pagina 116
... Seurat did the exact opposite . His painting proclaims , before anything else , that it is not a single moment of vision : that it was not built in a day . La Grande Jatte is huge , ten feet by nearly seven - the size of a big public ...
... Seurat did the exact opposite . His painting proclaims , before anything else , that it is not a single moment of vision : that it was not built in a day . La Grande Jatte is huge , ten feet by nearly seven - the size of a big public ...
Pagina 118
... Seurat's modernity . Precisely because it is a distanced painting , a surface not a window , it makes one pause and reflect on its semantics . The spectacle of art as a language fascinated Seurat . It fascinates all artists ; but before ...
... Seurat's modernity . Precisely because it is a distanced painting , a surface not a window , it makes one pause and reflect on its semantics . The spectacle of art as a language fascinated Seurat . It fascinates all artists ; but before ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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