The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 10
... Tower of Babel . But the Tower embodied other and socially deeper metaphors . The theme of the Fair was manufacture and transformation , the dynamics of capital rather than simple ownership . It was meant to illustrate the triumph of ...
... Tower of Babel . But the Tower embodied other and socially deeper metaphors . The theme of the Fair was manufacture and transformation , the dynamics of capital rather than simple ownership . It was meant to illustrate the triumph of ...
Pagina 38
... Tower . Realism shrank it ; the old laws of Italian perspective diminished it . The Tower rose over Paris , slender as a hatpin . When we retreated from it , it dominated Paris , stark and perpendicular . When we came close , it tilted ...
... Tower . Realism shrank it ; the old laws of Italian perspective diminished it . The Tower rose over Paris , slender as a hatpin . When we retreated from it , it dominated Paris , stark and perpendicular . When we came close , it tilted ...
Pagina 92
... tower , thirteen hundred feet high – three hundred feet higher than the Eiffel Tower ( plate 55 ) . As Eiffel's structure had been the symbolic climax of nineteenth - century technology , so Tatlin's would be the emblem of twentieth ...
... tower , thirteen hundred feet high – three hundred feet higher than the Eiffel Tower ( plate 55 ) . As Eiffel's structure had been the symbolic climax of nineteenth - century technology , so Tatlin's would be the emblem of twentieth ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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