The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 164
... Utopian schemes . That none of them succeeded , we take for granted ; in fact , we have got so used to accepting the failure of Utopia that we find it hard to understand our cultural grandparents , many of whom believed , with the ...
... Utopian schemes . That none of them succeeded , we take for granted ; in fact , we have got so used to accepting the failure of Utopia that we find it hard to understand our cultural grandparents , many of whom believed , with the ...
Pagina 207
... Utopian city plans of architects do not ? Partly , no doubt , because the space of art is the ideal one of fiction . In it , things are not used and they never decay ; one cannot walk in a painting , as one walks along a street or ...
... Utopian city plans of architects do not ? Partly , no doubt , because the space of art is the ideal one of fiction . In it , things are not used and they never decay ; one cannot walk in a painting , as one walks along a street or ...
Pagina 209
... Utopian modernist town planning . In the 1950s , Brazil wanted a new capital : it was necessary , in the opinion of its leader – a narcissistic and touchy supremo named Kubitschek - to show the world some economic vigour by ...
... Utopian modernist town planning . In the 1950s , Brazil wanted a new capital : it was necessary , in the opinion of its leader – a narcissistic and touchy supremo named Kubitschek - to show the world some economic vigour by ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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