The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 177
... architects who came of professional age between 1910 1910 and 1920 was profoundly charged by a sense of the millennium – the literal renewal of history at the end of a thousand - year cycle , the beginning of the twentieth century ...
... architects who came of professional age between 1910 1910 and 1920 was profoundly charged by a sense of the millennium – the literal renewal of history at the end of a thousand - year cycle , the beginning of the twentieth century ...
Pagina 181
... architect must “ reject all aesthetic specu- lation , all doctrine , and all formalism " - an injunction that sounds odd today , since the only architects who proved to be more doctrinaire and formalist than Mies were his imitators ...
... architect must “ reject all aesthetic specu- lation , all doctrine , and all formalism " - an injunction that sounds odd today , since the only architects who proved to be more doctrinaire and formalist than Mies were his imitators ...
Pagina 211
... architects . " One may take it for granted — or , at least , hope to do so that people will always be moved and delighted by the Seagram Building , just as they are by the Palazzo Rucellai or the Petit Trianon . A poetic conception as ...
... architects . " One may take it for granted — or , at least , hope to do so that people will always be moved and delighted by the Seagram Building , just as they are by the Palazzo Rucellai or the Petit Trianon . A poetic conception as ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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