The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 165
“ It was one of those illusions of the 20s , ” recalls Philip Johnson , who with the architectural historian Henry Russell ... “ We were thoroughly of the opinion that if you had good architecture the lives of people would be improved ...
“ It was one of those illusions of the 20s , ” recalls Philip Johnson , who with the architectural historian Henry Russell ... “ We were thoroughly of the opinion that if you had good architecture the lives of people would be improved ...
Pagina 166
Boullée wanted to create Pharaonic architecture that would manifest the volonté générale – the collective will – of the French people . It would outdo the royal palaces in size , though not in elaborateness ; neo - classical plainness ...
Boullée wanted to create Pharaonic architecture that would manifest the volonté générale – the collective will – of the French people . It would outdo the royal palaces in size , though not in elaborateness ; neo - classical plainness ...
Pagina 168
Architecture could reform society , they thought . To match an ideal architecture of steel and glass , based on prefabrication and functional clarity , a new type of person would arise - Le Corbusier's Modular figures , as it were ...
Architecture could reform society , they thought . To match an ideal architecture of steel and glass , based on prefabrication and functional clarity , a new type of person would arise - Le Corbusier's Modular figures , as it were ...
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abstract American architects architecture artist avant-garde became become believed body Braque building called Campbell century clear Collection colour created Cubism culture drawing early effect experience expression Expressionism fact feeling field figures French future Gallery German give glass hand human idea ideal images imagined interest Italy kind landscape late later less light living look machine mass material Matisse meaning meant mind Modern Art modernist moral movement Museum named nature never objects Oil on canvas once painter painting Paris perhaps Picasso plate political Pop art produced reality sculpture seemed seen sense shape signs social space street structure studio style surface Surrealist symbol things thought took Tower tradition turned wall wanted whole wrote York
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