The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 165
... architecture the lives of people would be improved ; that architecture would improve people , and people improve architecture until perfectibility would descend on us like the Holy Ghost , and we would be happy for ever after . This did ...
... architecture the lives of people would be improved ; that architecture would improve people , and people improve architecture until perfectibility would descend on us like the Holy Ghost , and we would be happy for ever after . This did ...
Pagina 166
... architecture that would manifest the volonté générale – the collective will of the French people . It would outdo ... architecture had nothing to say about this misery , and nothing to do with it . By the word " l'architecture , " an ...
... architecture that would manifest the volonté générale – the collective will of the French people . It would outdo ... architecture had nothing to say about this misery , and nothing to do with it . By the word " l'architecture , " an ...
Pagina 178
... architecture had a special meaning : a world remade of glass would have evolved beyond throwing stones - or artillery shells . Glass architecture was pacifist architecture , the very image of exalted vulnerability which , given a new ...
... architecture had a special meaning : a world remade of glass would have evolved beyond throwing stones - or artillery shells . Glass architecture was pacifist architecture , the very image of exalted vulnerability which , given a new ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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