The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 362
In art , this became aggravated by the sudden rush of art investment - not yet the mania it would become in the seventies , but large enough nearly to abolish , for a time , the idea that an artist's thought and performance needed to ...
In art , this became aggravated by the sudden rush of art investment - not yet the mania it would become in the seventies , but large enough nearly to abolish , for a time , the idea that an artist's thought and performance needed to ...
Pagina 379
“ Radical ” artists , especially in America , were apt to mistake the art world for the real world , in ignorance of ... So it was with the Minimalist - conceptualist artist Robert Morris , who in 1970 closed down an exhibition of his ...
“ Radical ” artists , especially in America , were apt to mistake the art world for the real world , in ignorance of ... So it was with the Minimalist - conceptualist artist Robert Morris , who in 1970 closed down an exhibition of his ...
Pagina 388
a a were the French artist Yves Klein ( 1928–62 ) , who once held an exhibition in Paris consisting of an empty ... whose pranks included the publication of an edition of small cans each containing thirty grams of the artist's shit - a ...
a a were the French artist Yves Klein ( 1928–62 ) , who once held an exhibition in Paris consisting of an empty ... whose pranks included the publication of an edition of small cans each containing thirty grams of the artist's shit - a ...
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abstract American architects architecture artist avant-garde became become believed body Braque building called Campbell century clear Collection colour created Cubism culture drawing early effect experience expression Expressionism fact feeling field figures French future Gallery German give glass hand human idea ideal images imagined interest Italy kind landscape late later less light living look machine mass material Matisse meaning meant mind Modern Art modernist moral movement Museum named nature never objects Oil on canvas once painter painting Paris perhaps Picasso plate political Pop art produced reality sculpture seemed seen sense shape signs social space street structure studio style surface Surrealist symbol things thought took Tower tradition turned wall wanted whole wrote York
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