The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 362
... artists were still dictating the terms of the game they played . " The artist , " he announced in an interview on British television in 1967 , " is the enemy . But in our time , the artist has become the very basis of any scientific ...
... artists were still dictating the terms of the game they played . " The artist , " he announced in an interview on British television in 1967 , " is the enemy . But in our time , the artist has become the very basis of any scientific ...
Pagina 379
... artist Robert Morris , who in 1970 closed down an exhibition of his work at the Whitney Museum of American Art in New York in protest against the bombing of Cambodia - as though Nixon and Kissinger were sufficiently impressed by the ...
... artist Robert Morris , who in 1970 closed down an exhibition of his work at the Whitney Museum of American Art in New York in protest against the bombing of Cambodia - as though Nixon and Kissinger were sufficiently impressed by the ...
Pagina 388
... artist's shit - a comment on the cult of personality in the Western art market whose succinctness could hardly be surpassed . But most later conceptual art altogether lacked the epigrammatic character of such gestures . Thus Douglas ...
... artist's shit - a comment on the cult of personality in the Western art market whose succinctness could hardly be surpassed . But most later conceptual art altogether lacked the epigrammatic character of such gestures . Thus Douglas ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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