The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 16
Robert Hughes. mean that images appropriate to it automatically follow . The changes in capitalist man's view of himself and the world between 1880 and 1914 were so far - reaching that they produced as many problems for artists as they ...
Robert Hughes. mean that images appropriate to it automatically follow . The changes in capitalist man's view of himself and the world between 1880 and 1914 were so far - reaching that they produced as many problems for artists as they ...
Pagina 64
... automatic pistols , infernal machines , the tinfish and the funnel , all of course in an artistically deformed condition . Inner tubes are highly recommended . This was grand opera - mechanical Wagner , in fact - and Schwitters never ...
... automatic pistols , infernal machines , the tinfish and the funnel , all of course in an artistically deformed condition . Inner tubes are highly recommended . This was grand opera - mechanical Wagner , in fact - and Schwitters never ...
Pagina 82
... automatic organism ... We , like some kind of ideally manufactured mechanical man , have grown used to living , getting up , going to bed , eating , and working by the clock – and the sense of rhythm and mechanical harmony , reflected ...
... automatic organism ... We , like some kind of ideally manufactured mechanical man , have grown used to living , getting up , going to bed , eating , and working by the clock – and the sense of rhythm and mechanical harmony , reflected ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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