The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 367
... avant - garde . As Hilton Kramer points out , the idea that the avant - garde and the bourgeoisie were natural , cut - throat enemies is one of the least useful myths of modernism : The relationship of the avant - garde to the middle ...
... avant - garde . As Hilton Kramer points out , the idea that the avant - garde and the bourgeoisie were natural , cut - throat enemies is one of the least useful myths of modernism : The relationship of the avant - garde to the middle ...
Pagina 371
... avant - garde since Courbet's time . On the face of it , it has a kind of logic . By changing the language of art , you affect the modes of thought ; and by changing thought , you change life . The history of the avant - garde up to ...
... avant - garde since Courbet's time . On the face of it , it has a kind of logic . By changing the language of art , you affect the modes of thought ; and by changing thought , you change life . The history of the avant - garde up to ...
Pagina 372
... avant - gardes wither in totalitarian régimes , whether of the Left or the ... garde art because it creates new élites . As Ortega y Gasset remarked , its ... avant - garde always tended to generate these élites , not necessarily out of ...
... avant - gardes wither in totalitarian régimes , whether of the Left or the ... garde art because it creates new élites . As Ortega y Gasset remarked , its ... avant - garde always tended to generate these élites , not necessarily out of ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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