The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 125
... become , thanks to the painter's obsessive scrutiny , the most analyzed mountain in art . One sees how absolutely ... become less legible as illusion , so does the force of their pictorial language become more ordered . His goal was ...
... become , thanks to the painter's obsessive scrutiny , the most analyzed mountain in art . One sees how absolutely ... become less legible as illusion , so does the force of their pictorial language become more ordered . His goal was ...
Pagina 362
... become in the seventies , but large enough nearly to abolish , for a time , the idea that an artist's thought and performance needed to mature , gradually , out of the limelight , in a reflective silence - better to get known , as fast ...
... become in the seventies , but large enough nearly to abolish , for a time , the idea that an artist's thought and performance needed to mature , gradually , out of the limelight , in a reflective silence - better to get known , as fast ...
Pagina 384
... become the third most expensive painting ( the first being Turner's Juliet and Her Nurse at $ 6.4 million ; the second , Velásquez's Juan de Pareja , at $ 5.4 million ) sold at auction up to that time . It would be naïve to assume that ...
... become the third most expensive painting ( the first being Turner's Juliet and Her Nurse at $ 6.4 million ; the second , Velásquez's Juan de Pareja , at $ 5.4 million ) sold at auction up to that time . It would be naïve to assume that ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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