The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 141
In the 1960s , when we all believed art could still change the world , this seemed a limited aim , but in fact one can only admire Matisse's common sense .
In the 1960s , when we all believed art could still change the world , this seemed a limited aim , but in fact one can only admire Matisse's common sense .
Pagina 168
AMUSING a > sule pompom than Le Corbusier in France , believed in this mirage of the architect as seer and sociological priest . Architecture could reform society , they thought . To match an ideal architecture of steel and glass ...
AMUSING a > sule pompom than Le Corbusier in France , believed in this mirage of the architect as seer and sociological priest . Architecture could reform society , they thought . To match an ideal architecture of steel and glass ...
Pagina 304
His work ferreted around in innumerable crannies of culture , bringing back small trophies and emblems from botany , astronomy , physics , and psychology . Music had a special influence on him . He believed that eighteenth ...
His work ferreted around in innumerable crannies of culture , bringing back small trophies and emblems from botany , astronomy , physics , and psychology . Music had a special influence on him . He believed that eighteenth ...
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abstract American architects architecture artist avant-garde became become believed body Braque building called Campbell century clear Collection colour created Cubism culture drawing early effect experience expression Expressionism fact feeling field figures French future Gallery German give glass hand human idea ideal images imagined interest Italy kind landscape late later less light living look machine mass material Matisse meaning meant mind Modern Art modernist moral movement Museum named nature never objects Oil on canvas once painter painting Paris perhaps Picasso plate political Pop art produced reality sculpture seemed seen sense shape signs social space street structure studio style surface Surrealist symbol things thought took Tower tradition turned wall wanted whole wrote York
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