The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 92
... century technology , so Tatlin's would be the emblem of twentieth - century skills : in fact , the banner which hung above his model of the tower , bearing the words , " Engineers create new forms , " was later carried through the ...
... century technology , so Tatlin's would be the emblem of twentieth - century skills : in fact , the banner which hung above his model of the tower , bearing the words , " Engineers create new forms , " was later carried through the ...
Pagina 165
... century , in many ways , was paper architecture that never got off the drawing board . And only in the twentieth century did earlier ideal schemes acquire such a retrospective importance . - For Utopia had been around on paper for ...
... century , in many ways , was paper architecture that never got off the drawing board . And only in the twentieth century did earlier ideal schemes acquire such a retrospective importance . - For Utopia had been around on paper for ...
Pagina 269
... century Romantic painting was the interplay between the world and the spirit : the search for images of those states ... century bequeathed to modernism . Indeed , it was one of the chief links between the nineteenth century and our own ...
... century Romantic painting was the interplay between the world and the spirit : the search for images of those states ... century bequeathed to modernism . Indeed , it was one of the chief links between the nineteenth century and our own ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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