The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 17
... clearly detached from what he sees . It makes a god of the spectator , who becomes the person on whom the whole world ... clear or truthful statements can be made . Nor does it mean that if I see a mouse under the chair I can will the ...
... clearly detached from what he sees . It makes a god of the spectator , who becomes the person on whom the whole world ... clear or truthful statements can be made . Nor does it mean that if I see a mouse under the chair I can will the ...
Pagina 178
... clear ! Hurray for purity ! Hurray for crystal ! Hurray and again hurray for the fluid , the graceful , the angular , the sparkling , the flashing , the light - hurray for everlasting architecture ! " Since there was no prospect of ...
... clear ! Hurray for purity ! Hurray for crystal ! Hurray and again hurray for the fluid , the graceful , the angular , the sparkling , the flashing , the light - hurray for everlasting architecture ! " Since there was no prospect of ...
Pagina 308
... clear , on the surface , in a display of perfection whose calm sign is the Apollonian reflection of light . There is no such thing as a " tragic " Brancusi ; all suggestions of struggle , defeat , or even moral tension are abolished by ...
... clear , on the surface , in a display of perfection whose calm sign is the Apollonian reflection of light . There is no such thing as a " tragic " Brancusi ; all suggestions of struggle , defeat , or even moral tension are abolished by ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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