The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 114
Seurat believed one could , and his theory was based on scientific studies of colour analysis and visual perception . Of these , the one that influenced him most was The Law of Simultaneous Colour Contrast , 1839 , by Eugène Chevreul .
Seurat believed one could , and his theory was based on scientific studies of colour analysis and visual perception . Of these , the one that influenced him most was The Law of Simultaneous Colour Contrast , 1839 , by Eugène Chevreul .
Pagina 132
Colour was the sign of vitality , the emblem of well - being , and it did not need thick symbolical overtones . It was enough that colour should take its stand on authenticity of feeling ; that it should expend and sharpen the artist's ...
Colour was the sign of vitality , the emblem of well - being , and it did not need thick symbolical overtones . It was enough that colour should take its stand on authenticity of feeling ; that it should expend and sharpen the artist's ...
Pagina 300
“ hear ” colours and , conversely , “ see ” sounds . ... Moreover , Kandinsky's belief in the possibility of an abstract language of colour was grounded in his own abnormally strong visual reactions – responses which few artists ...
“ hear ” colours and , conversely , “ see ” sounds . ... Moreover , Kandinsky's belief in the possibility of an abstract language of colour was grounded in his own abnormally strong visual reactions – responses which few artists ...
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abstract American architects architecture artist avant-garde became become believed body Braque building called Campbell century clear Collection colour created Cubism culture drawing early effect experience expression Expressionism fact feeling field figures French future Gallery German give glass hand human idea ideal images imagined interest Italy kind landscape late later less light living look machine mass material Matisse meaning meant mind Modern Art modernist moral movement Museum named nature never objects Oil on canvas once painter painting Paris perhaps Picasso plate political Pop art produced reality sculpture seemed seen sense shape signs social space street structure studio style surface Surrealist symbol things thought took Tower tradition turned wall wanted whole wrote York
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