The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 114
... colour analysis and visual perception . Of these , the one that influenced him most was The Law of Simultaneous Colour Contrast , 1839 , by Eugène Chevreul . Local colour , Chevreul had shown , was mixed on the eye . A spot of pure colour ...
... colour analysis and visual perception . Of these , the one that influenced him most was The Law of Simultaneous Colour Contrast , 1839 , by Eugène Chevreul . Local colour , Chevreul had shown , was mixed on the eye . A spot of pure colour ...
Pagina 132
... Colour was the sign of vitality , the emblem of well - being , and it did not need thick symbolical overtones . It was enough that colour should take its stand on authenticity of feeling ; that it should expend and sharpen the artist's ...
... Colour was the sign of vitality , the emblem of well - being , and it did not need thick symbolical overtones . It was enough that colour should take its stand on authenticity of feeling ; that it should expend and sharpen the artist's ...
Pagina 300
... colour , pointed towards the next stage of his work , in which colour would gradually be detached from description . The Murnau landscapes present a lusciously coloured and rather toylike world of well - being , and this romantic vision ...
... colour , pointed towards the next stage of his work , in which colour would gradually be detached from description . The Murnau landscapes present a lusciously coloured and rather toylike world of well - being , and this romantic vision ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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