The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 29
... course of its own medium . This rusty tin guitar is the point from which Russian Constructivism , via Tatlin , begins its course ; in the West , it initiates a tradition which runs to David Smith and Anthony Caro , that of assembled ...
... course of its own medium . This rusty tin guitar is the point from which Russian Constructivism , via Tatlin , begins its course ; in the West , it initiates a tradition which runs to David Smith and Anthony Caro , that of assembled ...
Pagina 114
... course it was not a fluid system , and it suited calm , hieratic , luminous subjects better than agitated or dramatic ones . Most of all , it suited landscape . Seurat often visited the Channel ports of northern France . His paintings ...
... course it was not a fluid system , and it suited calm , hieratic , luminous subjects better than agitated or dramatic ones . Most of all , it suited landscape . Seurat often visited the Channel ports of northern France . His paintings ...
Pagina 164
... course , easy to romanticize New York : there is a view , coming into the city from Kennedy Airport , which makes the long flank of the East River look like San Gimignano's towers , if not those of the New Jerusalem . But to Le ...
... course , easy to romanticize New York : there is a view , coming into the city from Kennedy Airport , which makes the long flank of the East River look like San Gimignano's towers , if not those of the New Jerusalem . But to Le ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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