The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 60
... created ( not merely expressed ) by architecture and art . Others were less ambitious ; they simply wanted to get ... creation of exiles and polyglots , from Picasso the Spaniard to Beckett the Irishman . The Odéons , in short , were the ...
... created ( not merely expressed ) by architecture and art . Others were less ambitious ; they simply wanted to get ... creation of exiles and polyglots , from Picasso the Spaniard to Beckett the Irishman . The Odéons , in short , were the ...
Pagina 85
... creation . " " How terribly we need to fight against this pernicious intelligibility , " he exclaimed , speaking of ... created an art of expectation : if one stood at the end of history , it was as natural to deal with the future as ...
... creation . " " How terribly we need to fight against this pernicious intelligibility , " he exclaimed , speaking of ... created an art of expectation : if one stood at the end of history , it was as natural to deal with the future as ...
Pagina 166
... creating another kind of slave - state . Not since the birth of Christ had the well - being of so small a class been ... created a new class , Engels ' proletariat , the very form of whose life was dictated by its mechanical master from ...
... creating another kind of slave - state . Not since the birth of Christ had the well - being of so small a class been ... created a new class , Engels ' proletariat , the very form of whose life was dictated by its mechanical master from ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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