The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 168
... declare its utter plainness as an article of faith can be grasped from the title of an essay he wrote in 1908 ... declared , and identified body - painting as the root of ornament - a suitable practice for primitives but not for ...
... declare its utter plainness as an article of faith can be grasped from the title of an essay he wrote in 1908 ... declared , and identified body - painting as the root of ornament - a suitable practice for primitives but not for ...
Pagina 191
... declared , could be summed up as " the informed , correct and magnificent play of forms under light . " That one phrase condenses his passion for the Pentelic marble , the whitewashed Aegean walls and crystalline sea - light , amid ...
... declared , could be summed up as " the informed , correct and magnificent play of forms under light . " That one phrase condenses his passion for the Pentelic marble , the whitewashed Aegean walls and crystalline sea - light , amid ...
Pagina 373
Robert Hughes. startling equation of democracy with sin and disease , he declared that " we have all of us got the republican spirit in our veins , as we have the pox in our bones ; we are democratized and syphilized . " From the dandy's ...
Robert Hughes. startling equation of democracy with sin and disease , he declared that " we have all of us got the republican spirit in our veins , as we have the pox in our bones ; we are democratized and syphilized . " From the dandy's ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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