The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 73
a The most aggressive political use of photomontage was in the work of John Heartfield , who in the late twenties and early thirties brought it to a pitch of polemical ferocity that no artist has since equalled ( plate 39 ) .
a The most aggressive political use of photomontage was in the work of John Heartfield , who in the late twenties and early thirties brought it to a pitch of polemical ferocity that no artist has since equalled ( plate 39 ) .
Pagina 187
It developed from his irrefutable perception that the centre of Paris was too congested , crammed , and old to support the intense motor traffic that the early twentieth century was bringing ; that many of its buildings were ...
It developed from his irrefutable perception that the centre of Paris was too congested , crammed , and old to support the intense motor traffic that the early twentieth century was bringing ; that many of its buildings were ...
Pagina 259
The deep interest that early Abstract Expressionism showed in preconscious and unconscious images as the very root of art was not , therefore , simply a mimicking of Surrealist procedures . Nevertheless the example , and presence ...
The deep interest that early Abstract Expressionism showed in preconscious and unconscious images as the very root of art was not , therefore , simply a mimicking of Surrealist procedures . Nevertheless the example , and presence ...
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abstract American architects architecture artist avant-garde became become believed body Braque building called Campbell century clear Collection colour created Cubism culture drawing early effect experience expression Expressionism fact feeling field figures French future Gallery German give glass hand human idea ideal images imagined interest Italy kind landscape late later less light living look machine mass material Matisse meaning meant mind Modern Art modernist moral movement Museum named nature never objects Oil on canvas once painter painting Paris perhaps Picasso plate political Pop art produced reality sculpture seemed seen sense shape signs social space street structure studio style surface Surrealist symbol things thought took Tower tradition turned wall wanted whole wrote York
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