The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 73
... early thirties brought it to a pitch of polemical ferocity that no artist has since equalled ( plate 39 ) . Here , photomontage develops a kind of truth of which painting is not capable . If Heartfield's scenes of brute power and social ...
... early thirties brought it to a pitch of polemical ferocity that no artist has since equalled ( plate 39 ) . Here , photomontage develops a kind of truth of which painting is not capable . If Heartfield's scenes of brute power and social ...
Pagina 187
... early twentieth century was bringing ; that many of its buildings were uncomfortable , dirty , and even dangerous ; and that " urban renewal , " as understood by European city authorities in the early twenties , was inarticulate and ...
... early twentieth century was bringing ; that many of its buildings were uncomfortable , dirty , and even dangerous ; and that " urban renewal , " as understood by European city authorities in the early twenties , was inarticulate and ...
Pagina 259
... early Abstract Expressionism showed in preconscious and unconscious images as the very root of art was not , therefore , simply a mimicking of Surrealist procedures . Nevertheless the example , and presence , of André Masson mattered a ...
... early Abstract Expressionism showed in preconscious and unconscious images as the very root of art was not , therefore , simply a mimicking of Surrealist procedures . Nevertheless the example , and presence , of André Masson mattered a ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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